{"id":1381769,"date":"2017-12-25T09:00:21","date_gmt":"2017-12-25T09:00:21","guid":{"rendered":"https:\/\/www.jacksonsart.com\/blog\/?p=1381769"},"modified":"2020-01-23T13:37:46","modified_gmt":"2020-01-23T13:37:46","slug":"current-events-52-2","status":"publish","type":"post","link":"https:\/\/www.jacksonsart.com\/blog\/2017\/12\/25\/current-events-52-2\/","title":{"rendered":"Current Events 52"},"content":{"rendered":"

Current Events #52. A selection of UK art exhibitions and events for week 52 of 2017.
\n(click images for larger view)<\/p>\n

\n
Screenprints: LPW Artist Bev Goodrich<\/h5>\n

11th October 2017 \u2013 19th January 2018<\/p>\n

\"Screenprints<\/a>
Screenprints by Bev Goodrich<\/figcaption><\/figure>\n

An exhibition of a collection of screenprints by Bev Goodrich, who created them\u00a0after taking part in several LPW courses, including their six week Introduction to Print course.<\/p>\n

‘I was inspired by Leicester Market\u2019s vibrancy and colour. It is a place buzzing with energy. Loading up in the very early morning, setting out all the fruit, vegetables and fish then packing it all away at the end of the trading day. It is hard work all done with boisterous good humour and noisy banter.’ – Bev Goodrich<\/p>\n

The Print Room<\/a>
\nLCB Depot,
\n31 Rutland Street,
\nLeicester
\nLE1 1RE<\/p>\n

\n
Tomorrow\u2019s World<\/h5>\n

8 December 2017 \u2013 26 January 2018<\/p>\n

\"\"<\/a><\/p>\n

Featuring new and recent work from:<\/p>\n

Julieta H Adame, Caitlin Alexandra, Sam Baldwin, Steve Bee, Andrew Berry, Beyond Thrilled,
\nLeo Boyd, Louis Craig Carpenter, Darren Cullen, Dissent, John Doe, Susan Eyre, Luke Fairhead,
\nHarishazka Fauzan, Fernando Feijoo, 57 Design, Oli Fowler, Stanislaw Gajewski, Le Bear, Matteo Galesi,
\nHelen Grundy, Scott Hawkins, Daniel Hosego, Heath Kane, Stephanie Kilgast, Ian Kirkpatrick, Jaime Kiss,
\nThe Krah, Matt Littler, Ryota Matsumoto, Steve McCarthy, Anil Mistry, Barbara Nati, Ray Noland,
\nAnni Onsager, Otto, Sian Pattenden, Mark Perronet, Vickie Perry, Attia Rashid, Mary Rouncefield,
\nMark Scammell, Serigrafica 7585, Spizz Energi, Carl Stimpson, Theo Tagholm, Zoe Toolan,
\nDavid Vassie, Frederic Voisin, Walden Press and more.<\/p>\n

Atom Gallery<\/a>
\n127 Green Lanes,
\nLondon
\nN16 9DA<\/p>\n

\n
Balraj Khanna: A Retrospective<\/h5>\n

23 November 2017 \u2013 26 January 2018<\/p>\n

\"Balraj<\/a>
Balraj Khanna, African Queen, 1969-70 Oil on canvas 132 x 132 cm<\/figcaption><\/figure>\n

This is retrospective of mixed media painting by Balraj Khanna to mark the 55th anniversary of Khanna’s arrival in the UK.<\/p>\n

\u2018Khanna has been tenaciously loyal to a particular discipline – making art out of childhood memories and everyday events, representing emotion in a way which curiously embraces abstraction and figuration in equal measure\u2019-Robin Dutt<\/p>\n

Gallery Elena Shchukina <\/a>
\n10 Lees Place
\nMayfair
\nLondon, W1K 6LL<\/p>\n

\n
Rita Ackermann: Turning Air Blue<\/h5>\n

30 September 2017 \u2013 1 January 2018<\/p>\n

\"Rita<\/a>
Rita Ackermann, Turning Air Blue II, 2017, Oil and pigment on canvas<\/figcaption><\/figure>\n

‘Turning Air Blue’ is an exhibition of new works by Rita Ackermann, who was born in Budapest, Hungary but is now based in New York.<\/p>\n

The exhibition comprises of two galleries and thematically reflects its rural setting.\u00a0 The paintings are of a large scale and<\/p>\n

‘The paintings here are large-scale compositions on canvas primed with chalkboard paint, on which washes of white chalk and green and blue pigments have been applied. These Abstract Expressionist-like works are reminiscent of actual chalkboards in a classroom, covered with unintentional erasures and marks, yet they have been conceptually executed by multiple deletions of figurative drawings and landscapes. By way of these gestures, the revenant outline of the erased drawings often emerges into the foreground. The final picture is a record of these movements.<\/p>\n

The exhibition continues into the Bourgeois gallery, which comprises two bodies of work: Turning Air Blue and Nudes. The paintings titled Turning Air Blue are large-scale pigment paintings on canvas where translucent figures suggest a feminine shape. These works derive from the Fire by Days series \u2013 paintings inspired by accident being the true enemy of intention \u2013 which formed Ackermann\u2019s introductory exhibition at Hauser & Wirth, London, in 2012. The palette of these new works is rendered by flesh tones shading into blue. The large paintings have an airy lightness about them, contrasting with the much smaller Nudes. While these smaller framed oils bear a similar pigmentation, they are painted more thickly to evoke the physicality of the female body.’<\/p>\n

Hauser & Wirth Somerset<\/a>
\nDurslade Farm,
\nDropping Lane,
\nBruton,
\nSomerset
\nBA10 0NL<\/p>\n

\n
Janet Boulton: Watercolours<\/h5>\n

29 November 2017 – 20 January 2018<\/p>\n

\"Janet<\/a>
Janet Boulton, Terracotta Pots with Ceres and Diana, Villa La Pietra<\/figcaption><\/figure>\n

Janet Boulton is known predominantly for her watercolours and paper relief works. This exhibition focuses on her works on paper and her paintings which have been inspired by music, still life and gardens.<\/p>\n

40 years ago, Swindon Museum and Art Gallery hosted Janet Boulton\u2019s exhibition, \u2018Windows and Reflections\u2019, inspired by her views from classrooms in the town, making this a welcome return to Swindon for this important artist.<\/p>\n

Swindon Museum and Art Gallery<\/a>
\nBath Road
\nSwindon
\nSN1 4BA<\/p>\n

\n
Mini Picture Show: RWS & RE Winter Exhibition<\/h5>\n

30 November 2017 – 21 January 2018<\/p>\n

\"Annie<\/a>
Annie Williams RWS RE, Con Calore, aquatint & wash,34 x 34cm<\/figcaption><\/figure>\n

A selection of small scale works made by artists from the Royal Watercolour Society and the Royal Society of Painter-Printmakers, including contemporary watercolours and original prints.<\/p>\n

Bankside Gallery<\/a>
\n48 Hopton St
\nLondon
\nSE1 9JH<\/p>\n

\n
Turner & The Whale<\/h5>\n

7 October 2017 – 7 January 2018<\/p>\n

\"Whalers<\/a>
Whalers (Boiling Blubber) Entangled in Flaw Ice, Endeavouring to Extricate Themselves by J.M.W. Turner. Tate- Accepted by the nation as part of the Turner Bequest 1856.<\/figcaption><\/figure>\n

This exhibition combines Hull’s whaling collections with works by Turner. This allows for an unusual dialogue between Hull’s great artists and one of the most renowned seascape painters of all time.<\/p>\n

Included in the exhibition are three of Turner’s whaling scenes that date from the time when Hull was the UK’s largest whaling port.<\/p>\n

Hull Maritime Museum<\/a>
\nQueen Victoria Square
\nHull
\nHU1 3DX<\/p>\n

\n
Our Exhibition Calendar<\/h5>\n

Please let us know about your exhibition.<\/a> We may be able to include it in future Current Events.<\/p>\n

See more exhibitions on our Exhibitions Calendar.<\/a><\/p>\n

all images are copyright of the artist<\/em><\/p>\n

\n
The image at the top is:\u00a0Annie Williams RWS RE, Con Calore, aquatint & wash, 34 x 34cm<\/h5>\n","protected":false},"excerpt":{"rendered":"

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