{"id":1401809,"date":"2019-10-29T18:42:51","date_gmt":"2019-10-29T18:42:51","guid":{"rendered":"https:\/\/www.jacksonsart.com\/blog\/?p=1401809"},"modified":"2026-03-31T15:39:41","modified_gmt":"2026-03-31T14:39:41","slug":"aldo-balding-fleeting-moments-in-oil-paint","status":"publish","type":"post","link":"https:\/\/www.jacksonsart.com\/blog\/2019\/10\/29\/aldo-balding-fleeting-moments-in-oil-paint\/","title":{"rendered":"Aldo Balding: Fleeting Moments in Oil Paint"},"content":{"rendered":"

Aldo Balding is an artist whose work seeks to harness time, space and movement in the permanence of figurative oil painting. His Jackson’s Open Painting Prize<\/a> shortlisted ‘Moment, Time, Space’ is exemplary of his practice, depicting a splicing of several snapshots of a lady putting on her coat in a caf\u00e9. The dynamic movement of those few fleeting seconds are immortalised in paint that, of itself, is used in a way that heightens its own elusive, fragile nature, with passages of solid rich paint contrasting with dilute spills and fragmented mark-making. In this interview Aldo explains how he uses photographic source material, his choice of materials, and delves deeper into what his work is about.<\/big><\/p>\n

\"'Moment,<\/a>

‘Moment, Time, Space’
Aldo Balding
Oil on canvas, 76cm x 100cm<\/figcaption><\/figure>\n

Lisa: Your website suggests that the subjects for your paintings are staged, rather than you painting a chance happening from direct observation or from a photo. Is this the case with your shortlisted work ‘Moment Time Space’?<\/strong><\/p>\n

Aldo: The painting moment, space time was serendipity, it is based on a series of photos that I took by chance. It doesn\u2019t happen often like that, as there are too many variables. I do pose models, but not on this occasion. I had the idea of the same person who is putting on her coat, appearing as in a time lapse, in fact there are two characters in this time lapse scenario.<\/p>\n

\"\"<\/a>

‘Alizarin (Bar)’
Aldo Balding
Oil on canvas, 50cm x 40cm<\/figcaption><\/figure>\n

Lisa: I’m really interested in your very limited palettes… which colours did you paint ‘Moment Time Space with’?\u00a0<\/strong><\/p>\n

Aldo: I used Ivory Black, Yellow Ochre, Cad Red, Alizarin Crimson, Lemon Yellow and ultramarine Blue. It is predominantly muted greens against a warm grey. Obviously it is easier to find harmonies with fewer colours.<\/p>\n

\"\"<\/a>

‘Coffee and Parasol’
Aldo Balding
Oil on canvas, 50cm x 40cm<\/figcaption><\/figure>\n

Lisa:\u00a0 You achieve a beautiful freshness with your brushwork. How do you stop yourself from overworking a painting and losing the energy?<\/strong><\/p>\n

Aldo: I have to discipline myself not to overwork things, I paint from a distance. When I get close to the canvas the temptation to fiddle is there. If it looks right from 2 metres, I leave it alone.<\/p>\n

\"\"<\/a>

‘Marie Under Rooflight’
Aldo Balding
Oil on canvas, 35cm x 45cm<\/figcaption><\/figure>\n

Lisa: Can you tell me a little bit about the impact of scale in your work too – are all your paintings generally the same size or do you paint a mix of large and small paintings? Does painting a large painting pose a different set of problems to painting a smaller work?<\/strong><\/p>\n

Aldo: Painting large feels liberating, I use larger brushes, again if it looks convincing from distance I leave it. I do paint all sizes, smaller studies and paintings need smaller brushes, \u00a0however, I feel painting with small brushes limiting. Larger paintings do have more of an impact by their sheer scale, they can be seen from across the gallery straight away.<\/p>\n

\"\"<\/a>

‘Los Caracoles V’
Aldo Balding
Oil on canvas, 90cm x 120cm<\/figcaption><\/figure>\n

Lisa: What are your favourite brushes to use?<\/strong><\/p>\n

Aldo: I use Rosemary\u2019s<\/a> brushes, long flat mongooses series 279 and hogs filberts. I often have a 2 inch household brush or some old worn one that makes interesting marks for texture and the others for the more finished areas.<\/p>\n

Lisa: How important is the quality of the photograph that you work from?<\/strong><\/p>\n

Aldo: It is more important that the colours and values are accurate when working from photos. The details are of less importance, I don\u2019t try to paint them. I am aware of pitfalls of photos regarding values, so I take that into account when painting with photo references.<\/p>\n

\"'Long<\/a>

‘Long Shadows of Collioure’
Aldo Balding
Oil on canvas, 46cm x 54cm<\/figcaption><\/figure>\n

Lisa: How often do you get to paint?<\/strong><\/p>\n

Aldo: I paint 5-6 days a week normally.<\/p>\n

\"\"<\/a>

‘Night IX (Le Telegramme)’
Aldo Balding
Oil on canvas, 20cm x 40cm<\/figcaption><\/figure>\n

Lisa: How much do you think about where your painting will hang, or who your audience might be, while you are painting?<\/strong><\/p>\n

Aldo: It never enters my head where it will hang or what audience it may have. I am totally involved in the creating process . I occasionally think it is or isn\u2019t saleable, but that isn\u2019t an aesthetic thought.<\/p>\n

\"'Sabrina<\/a>

‘Sabrina in Shadow’
Aldo Balding
Oil on canvas, 54cm x 46cm<\/figcaption><\/figure>\n

Lisa: Do you ever struggle for ideas for paintings? If so how do you overcome this?<\/strong><\/p>\n

Aldo: I do have to work for ideas, they are things that I have seen and I have to be open to theses stimuli, sometimes I will try and look at it from a different perspective, I am a tonalist painter that uses shape in my compositions, so for example looking for pattern composition or colour instead. I may just end up painting something and go through the creative process and the problem solving as I go and see what I can make of it.<\/p>\n

Lisa: Where online or in the flesh can we view more of your work?<\/strong><\/p>\n

Aldo: I have galleries in Bristol and Long Melford, both are the Lime tree gallery and Thompson\u2019s in London. In France Anagama in Versailles, and Galerie en R\u00e9 in Bois – Colombes, my studio near Carcassonne. Christopher Moller in Cape Town and Waterhouse Gallery in Santa Barbara.<\/p>\n

\"\"<\/a>

Aldo Balding in the studio<\/figcaption><\/figure>\n
\n

Header image:’Refractaire’ by Aldo Balding, oil on canvas, 76 x 60 cm<\/p>\n","protected":false},"excerpt":{"rendered":"

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