{"id":1410782,"date":"2020-08-14T09:00:01","date_gmt":"2020-08-14T08:00:01","guid":{"rendered":"https:\/\/www.jacksonsart.com\/blog\/?p=1410782"},"modified":"2026-09-21T13:33:05","modified_gmt":"2026-09-21T12:33:05","slug":"how-oil-painting-mediums-work","status":"publish","type":"post","link":"https:\/\/www.jacksonsart.com\/blog\/2020\/08\/14\/how-oil-painting-mediums-work\/","title":{"rendered":"A Guide to Oil Painting Mediums"},"content":{"rendered":"<p>An oil painting medium is designed to alter the viscosity, surface finish, or drying time of <a href=\"https:\/\/www.jacksonsart.com\/colour\/oil\/oil-paint\" target=\"_blank\">oil paint<\/a>. Knowing when and how to use a medium will help you to control your paint, add variety to your mark-making, and broaden your technique by giving you more paint possibilities. Mediums are a mixture of just a few ingredients. It can be a combination of some or all of these: a drying oil, a solvent, a resin, and a siccative. Understanding the basics of how each ingredient behaves will help you to choose the right medium and to produce structurally sound artworks that are going to last. Vincent Gordon takes us through how oil painting mediums work to modify: 1. Viscosity, 2. Surface finish, and 3. Drying time. He then gives a good overview of the main components of <a href=\"https:\/\/www.jacksonsart.com\/colour\/oil\/oil-mediums-solvents\" target=\"_blank\">oil mediums<\/a>.<\/p>\n<hr>\n<p><a href=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-11.jpg\"><img fetchpriority=\"high\" decoding=\"async\" class=\"aligncenter size-full wp-image-1412646\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-11.jpg\" alt=\"adding impasto medium to oil paint for stiffer body\" width=\"1200\" height=\"801\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-11.jpg 1200w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-11-300x200.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-11-1024x684.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-11-768x513.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-11-620x414.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-11-192x128.jpg 192w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-11-940x627.jpg 940w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<h2>Oil Painting Mediums<\/h2>\n<p><small>by Vincent Gordon<\/small><\/p>\n<h2>1. Painting Mediums to Alter the Viscosity of Oil Paint<\/h2>\n<p>Modifying your paint with a medium can vastly change the handling properties of the paint. If we consider oil paint to have a buttery consistency lying somewhere in the middle between liquid and stiff, then by adding the right painting medium you can take your paint either way, towards very fluid or very thick.<\/p>\n<figure id=\"attachment_1412636\" aria-describedby=\"caption-attachment-1412636\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-22.jpg\"><img decoding=\"async\" class=\"size-full wp-image-1412636\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-22.jpg\" alt=\"oil paint \" width=\"1200\" height=\"801\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-22.jpg 1200w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-22-300x200.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-22-1024x684.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-22-768x513.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-22-620x414.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-22-192x128.jpg 192w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-22-940x627.jpg 940w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><figcaption id=\"caption-attachment-1412636\" class=\"wp-caption-text\">Oil paint straight from the tube has a buttery consistency. Some brands are stiffer and some are softer.<\/figcaption><\/figure>\n<ul>\n<li>\n<h5>Increasing Flow<\/h5>\n<h5><\/h5>\n<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-5.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-1412638\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-5.jpg\" alt=\"oil painting mediums flow\" width=\"1200\" height=\"797\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-5.jpg 1200w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-5-300x200.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-5-1024x680.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-5-768x510.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-5-620x412.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-5-192x128.jpg 192w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-5-940x624.jpg 940w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<p>If more control is needed over your paint, for fine detail perhaps, then a medium that reduces the viscosity of oil paint, creating a controllable amount of flow, will facilitate this. This also makes it possible to produce flat, brushless areas because the paint will level out. Glaze mediums, alkyd mediums, or oils will all do this. Each will introduce their own unique characteristics such as transparency in the case of the glaze medium, a hard enamel-like surface in the case of the alkyd medium, and depth of colour in the case of an oil.<\/p>\n<figure id=\"attachment_1412697\" aria-describedby=\"caption-attachment-1412697\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/galkyd-light-with-oil-paint.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1412697\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/galkyd-light-with-oil-paint.jpg\" alt=\"\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/galkyd-light-with-oil-paint.jpg 1200w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/galkyd-light-with-oil-paint-300x200.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/galkyd-light-with-oil-paint-1024x683.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/galkyd-light-with-oil-paint-768x512.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/galkyd-light-with-oil-paint-620x413.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/galkyd-light-with-oil-paint-192x128.jpg 192w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/galkyd-light-with-oil-paint-940x627.jpg 940w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><figcaption id=\"caption-attachment-1412697\" class=\"wp-caption-text\">As Galkyd Lite is mixed in with the ultramarine oil colour the paint begins to flow more so it can be brushed in a more controlled, precise manner. It also extended the paint making it more transparent and less dark.<\/figcaption><\/figure>\n<p>You can purchase a variety of <a href=\"https:\/\/www.jacksonsart.com\/studio\/mediums\/to-use-with\/oil\/use-medium-for\/increasing-flow\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>mediums to increase flow<\/strong><\/a> or make your own.<\/p>\n<ul>\n<li>\n<h5>Increasing Body<\/h5>\n<\/li>\n<\/ul>\n<p><a href=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-6.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1412639\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-6.jpg\" alt=\"Oil paint impasto mediums\" width=\"1200\" height=\"806\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-6.jpg 1200w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-6-300x202.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-6-1024x688.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-6-768x516.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-6-620x416.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-6-192x128.jpg 192w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-6-940x631.jpg 940w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<p>In contrast, if you want to retain brush marks in the paint or a painting knife is being used and a loose, impasto approach is desired, then you will want to thicken the paint. This is usually done by mixing it with a wax or gel medium. Gel and impasto mediums are produced in a variety of densities depending on the manufacturer. Heavy gels and stiff impasto mediums will produce dramatic, sharply defined painting knife ridges. Whereas softer mediums will be easier to manipulate and the edges of your marks will be rounder and a little more subtle.<\/p>\n<figure id=\"attachment_1412648\" aria-describedby=\"caption-attachment-1412648\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-12.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1412648\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-12.jpg\" alt=\"impasto il painting mediums mixed with oil paint\" width=\"1200\" height=\"806\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-12.jpg 1200w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-12-300x202.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-12-1024x688.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-12-768x516.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-12-620x416.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-12-192x128.jpg 192w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-12-940x631.jpg 940w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><figcaption id=\"caption-attachment-1412648\" class=\"wp-caption-text\">The dramatically raised edges of these marks came from mixing an impasto medium with oil paint and applying the paint on <a href=\"https:\/\/www.jacksonsart.com\/surface\/canvas\" target=\"_blank\">canvas<\/a> with a painting knife.<\/figcaption><\/figure>\n<p>You can purchase a variety of <a href=\"https:\/\/www.jacksonsart.com\/studio\/mediums\/to-use-with\/oil\/use-medium-for\/impasto\/show\/60\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>impasto mediums<\/strong><\/a> or make your own.<\/p>\n<p><a href=\"https:\/\/www.jacksonsart.com\/blog\/2020\/07\/24\/making-beeswax-impasto-medium-for-oil-painting\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>How to Make a Beeswax Medium<\/strong><\/a><\/p>\n<hr \/>\n<h2>2. Painting Mediums to Alter the Surface Finish of Oil Paint<\/h2>\n<p>All painting mediums irrespective of their purpose will alter the surface finish of your painting to some degree. Oil paint contains pigment, oil, sometimes driers, and more often than not a filler called blanc fixe. So anything further that we add to this combination of materials will inevitably change the appearance of the paint once it has dried.<\/p>\n<p>If you want to alter the consistency of paint, you must realise that you will also be changing the surface sheen of the paint at least somewhat. And if you are trying to alter the surface sheen with a medium, you will also be changing the viscosity. These two characteristics cannot be fully separated and go hand in hand. The most you can do is choose which you will prioritise, depending on the modification you want to achieve.<\/p>\n<p>Paint can be altered to have anywhere from a matt surface finish, through a range of satin sheens, to a high gloss finish. Painting mediums containing wax will invariably produce a satin or matt finish, as wax is a matting agent. High amounts of natural resin in a medium will almost always create a high gloss finish. Synthetic resins such as an alkyd can vary from a low satin sheen to a gloss sheen.<\/p>\n<figure id=\"attachment_1412656\" aria-describedby=\"caption-attachment-1412656\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Vincent-Gordon-Hessian-gloss.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1412656\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Vincent-Gordon-Hessian-gloss.jpg\" alt=\"\" width=\"1200\" height=\"1200\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Vincent-Gordon-Hessian-gloss.jpg 1200w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Vincent-Gordon-Hessian-gloss-300x300.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Vincent-Gordon-Hessian-gloss-1024x1024.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Vincent-Gordon-Hessian-gloss-150x150.jpg 150w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Vincent-Gordon-Hessian-gloss-768x768.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Vincent-Gordon-Hessian-gloss-620x620.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Vincent-Gordon-Hessian-gloss-940x940.jpg 940w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><figcaption id=\"caption-attachment-1412656\" class=\"wp-caption-text\">Oil paint mixed with a generous amount of 5lb cut damar varnish on a heavy hessian support. This creates a very fluid, high gloss layer of colour in this example and emphasizes the weave of the hessian.<\/figcaption><\/figure>\n<p>It&#8217;s worth noting at this point that if, for example, a medium were used to modify the consistency of the paint but the resulting surface finish is undesirable, then a varnish can be used at a later stage to change this. Either by adding more or less gloss to the finished painting.<\/p>\n<h2>Oil Varnishes<\/h2>\n<p><a href=\"https:\/\/www.jacksonsart.com\/blog\/2019\/09\/20\/vincent-gordon-on-how-to-make-dammar-varnish\/\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Vincent Gordon on how to make Dammar Varnish<\/strong><\/a><br \/>\nThis earlier post shows you how to make damar varnish that can be used as a painting medium or thinned to be used as a final varnish.<\/p>\n<p><a href=\"https:\/\/www.jacksonsart.com\/studio\/sundries\/varnishes\/oil-varnishes\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>Varnishes to control the final surface sheen.<\/strong><\/a><\/p>\n<figure id=\"attachment_1412641\" aria-describedby=\"caption-attachment-1412641\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-8.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1412641\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-8.jpg\" alt=\"Oil paint varnishes matt, satin, gloss\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-8.jpg 1200w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-8-300x200.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-8-1024x683.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-8-768x512.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-8-620x413.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-8-192x128.jpg 192w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-8-940x627.jpg 940w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><figcaption id=\"caption-attachment-1412641\" class=\"wp-caption-text\">A final <a href=\"https:\/\/www.jacksonsart.com\/blog\/2020\/08\/14\/how-oil-painting-mediums-work\/\" target=\"_blank\">oil varnish<\/a> is called a picture varnish. They are available in a gloss or matt sheen which can be mixed to create a range of satin finishes.<\/figcaption><\/figure>\n<hr \/>\n<h2>3. Painting Mediums to Alter the Drying Time of Oil Paint<\/h2>\n<p>The drying times of oil paint vary by manufacturer, based on the formulation that they use. In artist-grade paints, each colour also dries at its own rate, as the amount of oil and pigment differs for each pigment. The drying time of an oil paint can be adjusted considerably &#8211; shortening the drying time to just a few hours or lengthening it to several months.<\/p>\n<figure id=\"attachment_1412644\" aria-describedby=\"caption-attachment-1412644\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1412644\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_2.jpg\" alt=\"oil painting mediums\" width=\"1200\" height=\"1200\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_2.jpg 1200w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_2-300x300.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_2-1024x1024.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_2-150x150.jpg 150w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_2-768x768.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_2-620x620.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_2-940x940.jpg 940w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><figcaption id=\"caption-attachment-1412644\" class=\"wp-caption-text\">Chelsea Classical Studio make a selection of mediums labelled as fat or lean so you will know what characteristics they will have.<\/figcaption><\/figure>\n<h5>Fat Mediums are Slow-Drying<\/h5>\n<p>High oil content in a medium will mean a longer drying time, allowing for a longer open period with more time to manipulate the paint. These types of mediums are considered &#8216;fat&#8217;. So if you are painting in layers then these are best used in the middle and the final stages to add depth to colour. Over-painting fat mediums with leaner, quicker drying paint mixtures should be avoided as the fat medium will slowly expand as it cures, pulling apart the leaner layer above that has already formed a hard film, causing cracking.<\/p>\n<p>You can purchase a variety of <a href=\"https:\/\/www.jacksonsart.com\/studio\/mediums\/to-use-with\/oil\/use-medium-for\/slow-drying\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>slow-drying oil mediums<\/strong><\/a> or make your own.<\/p>\n<h5>Lean Mediums are Fast-Drying<\/h5>\n<p>If a longer open period is not desired and a quick-drying medium is needed, driers will often be used, along with high amounts of solvents and resin and low amounts of oils. Depending on the exact ratio, the ingredients used and the application, this type of medium could be touch dry overnight.<br \/>\nSiccative medium is added to oil paint, drop by drop with a pipette, to increase the rate of drying.<\/p>\n<p>You can purchase a variety of <a href=\"https:\/\/www.jacksonsart.com\/studio\/mediums\/to-use-with\/oil\/use-medium-for\/speed-drying\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>fast-drying oil mediums<\/strong><\/a> or make your own.<\/p>\n<h5>Making a Fast-drying Medium<\/h5>\n<p>As a rule of thumb, if the solvent is roughly double the amount of the resin and oil combined, then the resulting medium should be quick-drying because the solvents evaporate relatively quickly. If you are adding siccative do so sparingly as too much will cause the dried paint film to be brittle. Adding a few drops is often enough. Be sure to add no more than 10% of the overall volume of the medium. The type of metal driers available to the manufacturer, such as Cobalt Driers, cannot be bought on the open market in concentrated form. Instead, they come diluted and ready to use as a siccative. For this reason, it isn&#8217;t possible to make your own stand-alone siccative, but you can make a fast-drying medium by combining solvent, resin, oil, and siccative in the right quantities.<\/p>\n<p>An example of the quantities of materials for a fast-drying medium:<br \/>\n600ml of Turpentine (twice the amount of the resin (dammar) and oil (stand oil) combined)<br \/>\n200ml of Dammar Varnish<br \/>\n100ml of Stand Oil<br \/>\n90ml of Cobalt Siccative &#8211; 10% of the overall volume of the other ingredients. (The combined volume of all the ingredients that you wish to add to is 900ml.)<\/p>\n<p><a href=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-9.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1412642\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-9.jpg\" alt=\"Ingredients for making a fast-drying medium\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-9.jpg 1200w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-9-300x200.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-9-1024x683.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-9-768x512.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-9-620x413.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-9-192x128.jpg 192w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-9-940x627.jpg 940w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<hr \/>\n<h5>The Components of Painting Mediums<\/h5>\n<p>Oil painting mediums generally contain one or all of the following ingredients added to a solvent such as low-odour white spirits or turpentine.<\/p>\n<h5>Oil<\/h5>\n<p><a href=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-7.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1412640\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-7.jpg\" alt=\"A variety of drying oils for oil painting mediums\" width=\"1200\" height=\"806\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-7.jpg 1200w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-7-300x202.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-7-1024x688.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-7-768x516.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-7-620x416.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-7-192x128.jpg 192w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Oil_Painting_Mediums_Blog_Image-7-940x631.jpg 940w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<p>The simplest oil paint is just pigment bound in a drying oil by grinding the powder into the oil. Drying oils are oils that naturally form a hard film when they absorb oxygen. The most commonly used oil in both oil painting mediums and oil paint is linseed oil. Viscous oils such as linseed stand oil will add body to a medium. But they need a certain amount of thinning with a solvent or with a more free-flowing oil such as cold-pressed linseed oil, to reduce drag when brushing out. Refined oils, such as alkali refined linseed oil, have high wetting characteristics and extend paint easily. Other less-commonly used drying oils are safflower oil, poppy oil, and walnut oil, which have some similar characteristics but vary in drying rates, wetting abilities and yellowing effects.<\/p>\n<p>Oils have three main characteristics when mixed with paint. One of the most useful characteristics is the ability of an oil to reduce the consistency of paint, without significantly compromising colour strength. This can be important for achieving thin, fluid brushwork while avoiding washed-out colours. The second characteristic is the fluidity of oil, or the ease in which the liquid moves across a surface. Paint can be made more fluid with oil yet remain controllable because it will not bleed or run like it would if you used a solvent. The paint will glide onto the canvas, covering large areas effortlessly. The third important characteristic is that oils extend the drying time of oil paint, so are great for blending techniques and it allows reworking of wet areas for a longer period of time.<\/p>\n<p><a href=\"https:\/\/www.jacksonsart.com\/studio\/mediums\/to-use-with\/oil\/mediums---type-group\/oil\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>We stock a selection of drying oils.<\/strong><\/a><\/p>\n<figure id=\"attachment_1412834\" aria-describedby=\"caption-attachment-1412834\" style=\"width: 2000px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/82BA5856-CF25-4C4E-9368-7F10878E0171.jpeg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1412834\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/82BA5856-CF25-4C4E-9368-7F10878E0171.jpeg\" alt=\"\" width=\"2000\" height=\"1264\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/82BA5856-CF25-4C4E-9368-7F10878E0171.jpeg 2000w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/82BA5856-CF25-4C4E-9368-7F10878E0171-300x190.jpeg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/82BA5856-CF25-4C4E-9368-7F10878E0171-1024x647.jpeg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/82BA5856-CF25-4C4E-9368-7F10878E0171-768x485.jpeg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/82BA5856-CF25-4C4E-9368-7F10878E0171-1536x971.jpeg 1536w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/82BA5856-CF25-4C4E-9368-7F10878E0171-620x392.jpeg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/82BA5856-CF25-4C4E-9368-7F10878E0171-940x594.jpeg 940w\" sizes=\"(max-width: 2000px) 100vw, 2000px\" \/><\/a><figcaption id=\"caption-attachment-1412834\" class=\"wp-caption-text\">Neat oil paint on the left is mixed with linseed oil until it has reached a brushable consistency shown on the right.<\/figcaption><\/figure>\n<h5>Resin<\/h5>\n<p><a href=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/damar-crystals-wm.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter size-full wp-image-1412698\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/damar-crystals-wm.jpg\" alt=\"oil painting mediums resin\" width=\"1200\" height=\"800\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/damar-crystals-wm.jpg 1200w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/damar-crystals-wm-300x200.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/damar-crystals-wm-1024x683.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/damar-crystals-wm-768x512.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/damar-crystals-wm-620x413.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/damar-crystals-wm-192x128.jpg 192w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/damar-crystals-wm-940x627.jpg 940w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><\/p>\n<p>Resin can come from nature like damar resin, larch venice turpentine resin, or balsam resin. Or it can be synthetic like ketone resin or alkyd resin. When dissolved, a resin binds all the other ingredients in the medium together, allowing the mixture to harden as one cohesive film upon drying. Resin is also the main determining factor in the surface sheen of a medium. The tried and tested resins mentioned above are known to be flexible enough to be safely applied to a canvas support that contracts and expands with temperature changes.<\/p>\n<p><a href=\"https:\/\/www.jacksonsart.com\/search\/?q=damar%2Blarch%2Bbalsam\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>We stock a selection of oil painting resins<\/a>.<\/strong><\/p>\n<h5>Driers<\/h5>\n<figure id=\"attachment_1412643\" aria-describedby=\"caption-attachment-1412643\" style=\"width: 1200px\" class=\"wp-caption aligncenter\"><a href=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_1.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-1412643\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_1.jpg\" alt=\"\" width=\"1200\" height=\"801\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_1.jpg 1200w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_1-300x200.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_1-1024x684.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_1-768x513.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_1-620x414.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_1-192x128.jpg 192w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2020\/08\/Gordon_Oil_Mediums_Blog_Image_1-940x627.jpg 940w\" sizes=\"(max-width: 1200px) 100vw, 1200px\" \/><\/a><figcaption id=\"caption-attachment-1412643\" class=\"wp-caption-text\">Dark and light siccatives<\/figcaption><\/figure>\n<p>Driers are either light or dark in colour. Dark driers such as cobalt and manganese are the most powerful and so will have a noticable effect on the drying rate of your paint. But they can cause discolouration when used with lighter shades of paint. Calcium and zirconium (white driers) are gentler, increasing the drying rate of paint less significantly than dark driers. White driers are colourless so will not affect lighter shades of paint, such as white and pale blues. Cobalt is by far the most widely used drier in oil painting because of its highly efficient drying capabilities. A drier can be mixed with paint directly but use it sparingly, adding just a few drops to your paint.<\/p>\n<p>Wet oil paintings can cause havoc when exhibition deadlines are looming. A useful but rather involved approach, to avoid having that one colour that stubbornly remains wet, is to create a palette of colours that have a balanced drying rate. If for example, your whites take six days to reach touch dry and your blues three days, adding a couple of drops of siccative to your whites on the palette, each time you use them, will help to bring the drying rate of the white paint a little closer to the blue. Creating colour swatches and noting drying times of your most-used colours, can help you create a very effective drying system.<\/p>\n<p><a href=\"https:\/\/www.jacksonsart.com\/robersons-siccative\" target=\"_blank\" rel=\"noopener noreferrer\"><strong>We stock a selection of sizes of Cobalt Siccative.<\/strong><\/a><\/p>\n<hr \/>\n<h5>Conclusion<\/h5>\n<p>Navigating the vast array of oil painting mediums that are available and choosing the right one for your intended purpose can seem like a daunting task, so that many artists often stick with what they know works. This, of course, is fine and something we all do as artists as it helps to define a style of painting, but it can also be restricting and prevent experimentation.<\/p>\n<p>I find a good way to think about what materials to use prior to beginning painting, is to consider both the final surface appearance and how you want to apply the paint. Do you want the paint to look glossy, matt, or somewhere in between? To be smooth or textured? Transparent or opaque? Do you want some brush drag or do you want it to flow slickly? Having some knowledge of the materials can facilitate your ideas and will help you nudge the painting one way or another as it progresses.<\/p>\n<p>Exploring painting mediums is not only an inspiring and enlightening experience for the painter, it links us deeply with the tools of our trade, involving us in every aspect of the creative process, allowing us to achieve our personal visions in a much more purposeful way.<\/p>\n<hr \/>\n<h2>Oil Painting Mediums and Equipment at Jackson&#8217;s<\/h2>\n<ul>\n<li><a href=\"https:\/\/www.jacksonsart.com\/colour\/oil\" target=\"_blank\" rel=\"noopener noreferrer\">The Oil Painting Department at Jackson&#8217;s<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/studio\/mediums\/to-use-with\/oil\/mediums---type-group\/oil\" target=\"_blank\" rel=\"noopener noreferrer\">Oil painting oils<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/search\/?q=damar%2Blarch%2Bbalsam\" target=\"_blank\" rel=\"noopener noreferrer\">Resins<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/studio\/mediums\/to-use-with\/oil\/mediums---type-group\/solvent\" target=\"_blank\" rel=\"noopener noreferrer\">Solvents<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/robersons-siccative\" target=\"_blank\" rel=\"noopener noreferrer\">Driers<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/studio\/mediums\/to-use-with\/oil\/use-medium-for\/increasing-flow\" target=\"_blank\" rel=\"noopener noreferrer\">Mediums to increase flow<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/studio\/mediums\/to-use-with\/oil\/use-medium-for\/speed-drying\" target=\"_blank\" rel=\"noopener noreferrer\">Oil Painting Mediums to speed drying times<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/studio\/mediums\/to-use-with\/oil\/use-medium-for\/slow-drying\" target=\"_blank\" rel=\"noopener noreferrer\">Oil painting mediums to slow drying times<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/studio\/mediums\/to-use-with\/oil\/use-medium-for\/impasto\/show\/60\" target=\"_blank\" rel=\"noopener noreferrer\">Impasto mediums<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/studio\/sundries\/varnishes\/oil-varnishes\" target=\"_blank\" rel=\"noopener noreferrer\">Oil painting picture varnishes<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/studio\/painting-tools\/palette-knives\/\" target=\"_blank\" rel=\"noopener noreferrer\">Palette knives<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/studio-essentials-studio-glass-bottles-with-lid\" target=\"_blank\" rel=\"noopener noreferrer\">Studio glass bottles<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/studio\/studio-equipment\/containers-pots\/to-use-with\/oil\" target=\"_blank\" rel=\"noopener noreferrer\">Dippers for mediums<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/studio\/palettes\/wooden-palettes\" target=\"_blank\" rel=\"noopener noreferrer\">Wooden oil painting palettes<\/a><\/li>\n<\/ul>\n<hr \/>\n<h2>More Oil Painting Articles on the Blog<\/h2>\n<ul>\n<li><a href=\"https:\/\/www.jacksonsart.com\/blog\/2020\/07\/24\/making-beeswax-impasto-medium-for-oil-painting\/\" target=\"_blank\" rel=\"noopener noreferrer\">Making Beeswax Impasto Medium for Oil Painting<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/blog\/2019\/09\/20\/vincent-gordon-on-how-to-make-dammar-varnish\/\" target=\"_blank\" rel=\"noopener noreferrer\">Vincent Gordon on how to make Dammar Varnish<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/blog\/tag\/hannah-ivory-baker\/\" target=\"_blank\" rel=\"noopener noreferrer\">Hannah Ivory Baker Reviews 4 Oil Brushes<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/blog\/tag\/hannah-ivory-baker\/\" target=\"_blank\" rel=\"noopener noreferrer\">Hannah Ivory Baker Reviews 7 Oil Mediums<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/blog\/2020\/01\/17\/comparing-cold-wax-mediums\/\" target=\"_blank\" rel=\"noopener noreferrer\">Sally Hirst Compares Cold Wax Mediums<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/blog\/2019\/10\/04\/what-is-dark-yellowing\/\" target=\"_blank\" rel=\"noopener noreferrer\">What is Dark Yellowing?<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/blog\/2019\/04\/30\/how-to-stretch-canvas-a-visual-guide\/\" target=\"_blank\" rel=\"noopener noreferrer\">How to Stretch Canvas<\/a><\/li>\n<li><a href=\"https:\/\/www.jacksonsart.com\/blog\/2018\/12\/14\/solvent-safety-guide-taking-care-with-oil-paint-solvents\/\" target=\"_blank\" rel=\"noopener noreferrer\">Solvent Safety Guide: Taking Care When Working With Solvents<\/a><\/li>\n<\/ul>\n<p>Postage on orders of art materials shipped standard to mainland UK addresses is free for orders of \u00a345 or more.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>An oil painting medium is designed to alter the viscosity, surface finish, or drying time of oil paint. Knowing when [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":1412649,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"default","adv-header-id-meta":"","stick-header-meta":"default","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"set","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[15284,475],"tags":[15163,1956,463,8693,6498],"class_list":["post-1410782","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guide-to","category-oil-painting-art-technique","tag-guide-to","tag-oil-mediums","tag-oil-painting","tag-oil-painting-mediums","tag-vincent-gordon"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.3) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>A Guide to Oil Painting Mediums - Jackson&#039;s Art Blog<\/title>\n<meta name=\"description\" content=\"An oil painting medium is designed to alter the viscosity, surface finish or drying time of oil paint. Knowing when and how to use a medium will help you to control your paint, add variety to your mark-making and broaden your technique, by giving you more paint possibilities.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jacksonsart.com\/blog\/2020\/08\/14\/how-oil-painting-mediums-work\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"A Guide to Oil Painting Mediums\" \/>\n<meta property=\"og:description\" content=\"An oil painting medium is designed to alter the viscosity, surface finish or drying time of oil paint. 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