{"id":1429746,"date":"2021-09-22T08:49:35","date_gmt":"2021-09-22T07:49:35","guid":{"rendered":"https:\/\/www.jacksonsart.com\/blog\/?p=1429746"},"modified":"2026-03-31T15:52:07","modified_gmt":"2026-03-31T14:52:07","slug":"sarah-bold-shifting-perspectives","status":"publish","type":"post","link":"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/","title":{"rendered":"Sarah Bold: Shifting Perspectives"},"content":{"rendered":"

Sarah Bold won the Landscape\/Seascape\/Cityscape Award in the Jackson\u2019s Painting Prize<\/a> this year with her oil painting Incoming<\/em>. In her work, Sarah seeks a genuine connection with the landscape surrounding her Scottish island home and studio, pushing herself beyond the comfort zone of the sublime landscape and engaging with the visible realities of climate change. Here, she talks about her daily practice and processes, the challenges of working with fluorescent paint and her early memories of painting in the Australian Outback. <\/p>\n

Above image: <\/strong>Sarah Bold in her studio, a converted Nissen hut on the Isle of Skye.<\/small><\/p>\n

Clare: Can you tell us about your artistic background\/education?<\/strong><\/p>\n

Sarah: I grew up in rural Australia and have always painted from an early age. Maybe it was the isolation of living remotely that made me learn to amuse myself and so to draw and paint in my spare time. When stuck with ideas I use to draw my own hands or feet. My dad gave me an old paint box of oil paints he had from when he was young and so I used to look at books of Australian landscape painters like Jack Absalom and try and copy the paintings of the Outback. I continued to paint on and off all my life and moved to London in my late twenties. It wasn\u2019t until I had my second child that I went to Wimbledon School of Arts (UAL) University part time and finally studied painting. I absolutely loved it, it was the best thing I ever did, although it was an awakening of how much I still had to learn. After I finished my degree (it took six years part time!) we moved to the Isle of Skye. Although on the map Skye couldn\u2019t be further from Australia, I definitely feel a connection between the two. I think it\u2019s a combination of the big skies, the rugged landscape, the remoteness and the extreme weather. <\/p>\n

\"Sarah<\/a>
Incoming<\/em>, 2021
Sarah Bold
Oil & fluorescent paint on board, 23 x 30 x 3 cm | 9 x 11.8 x 1 in<\/figcaption><\/figure>\n

Clare: Where does a painting begin for you? Can you take us through your process?<\/strong><\/p>\n

Sarah: Living on an island you spend a lot of time driving around it. Everything is spread out, nothing is nearby. This is great in the sense it gives me thinking time whilst driving and also lots of opportunities to stop and take photographs. The weather and light here is constantly changing, we are on the west coast and our weather comes in off the Atlantic. <\/p>\n

The Highlands and Islands are absolutely stunning and the beauty here never fails to stop me in my tracks. I tend to take loads of photographs of things that might catch my eye, like a certain colour, the lines in the landscape, or how the light hits a particular spot for example, and when back in my studio I will make note sketches to work out the movement of the painting – I guess it’s almost like working out the wind direction within the painting. It can get very windy here! The paintings always evolve from my mind’s eye and are often an amalgamation of the photographs I have taken and the memory and feel of the place. I never paint directly from one photo, the photographs I take are more like prompts or reminders. <\/p>\n

I have previously painted many paintings of the Scottish landscape, particularly of winter when it is at its most dramatic. The paintings definitely had a leaning towards the Romantic Sublime as the beauty and the scale of the landscape is so captivating. However I was beginning to feel like I was stagnating and wasn\u2019t sure how long I could keep painting this way. <\/p>\n

\"Sarah<\/a>
View from Sarah’s studio on the Isle of Skye.<\/figcaption><\/figure><\/center><\/p>\n

The Seaweed paintings (Seaweed, Plastic & Detritus) were a push for me to get out of my painting comfort zone and so try to see the landscape around me with a fresh perspective. Rather than look to the immense landscape around me I decided to look at what was right on my doorstep. We\u2019d had a winter of terrible storms and the bay by our house was absolutely deluged with plastic and detritus that had been thrown up from the sea. It was devastating, once I started looking I couldn\u2019t believe the enormity of it, just on our little beach alone. At the same time I had been reading about \u2018shifting baseline syndrome\u2019, which refers to a \u2018continuous lowering of standards and acceptance of degraded natural ecosystems\u2019, measured from a baseline set by each generation of observation. I thought about how this would apply to our beaches. I see the beach littered with plastic and rubbish – yet my kids see the beach simply as a beach. They see the detritus but this has become their normal, this is how a beach looks within their generation. Beach cleans and picking up plastic waste goes hand in hand with the sea. Within our bay, amongst the tangle of seaweed, plastic and detritus they still see beauty. With the acceptance of each generation resetting the baseline, we slowly lose site of the original environment and what we have truly lost. <\/p>\n

\"Sarah<\/a>
The More You Look the More You See<\/em>, 2020
Sarah Bold
Oil on canvas, 120 x 150 cm | 47 x 59 in<\/figcaption><\/figure><\/center><\/p>\n

The Seaweed paintings were definitely an exploration into trying new techniques and also thinking about the subject matter or narrative. I have always been interested in environmental issues and ecosystems, but it is important to me to have a genuine experience or connection with the landscape that I am painting. Although plastic is topical at the moment, it feels relevant to me and painting because unfortunately it is the reality of what I experience every day, fifty yards from my house. It would be easy and in some ways more appealing, to paint the beautiful lochs and bays without the plastic, and I guess thats what my previous paintings did, but this doesn\u2019t feel truthful to the relationship I am having with the landscape right now, nor reflect the times we are living in. <\/p>\n

\"Sarah<\/a>
Seaweed, Plastic & Detritus<\/em>, 2020
Sarah Bold
Oil on board, 30 x 23 cm | 11.8 x 9 in<\/figcaption><\/figure><\/center><\/p>\n

\"Sarah<\/a>
Token<\/em>, 2021
Sarah Bold
Oil on board, 23 x 30 cm | 9 x 11.8 in<\/figcaption><\/figure><\/center><\/p>\n

Clare: What canvas do you favour and which paints do you most enjoy working with?<\/strong><\/p>\n

Sarah: I have really been enjoying working on the smaller paintings of late as this has allowed me to be more experimental without being precious, and to explore more ideas in shorter time periods. I like to use the Jackson’s cradled boards, I love the fluid way the paint moves around on the board, it is a different experience to canvas. I use a mixture of Jackson’s oil paints<\/a>, Winsor & Newton<\/a> and Michael Harding<\/a> – they are beautiful paints, the richness of colour is amazing.<\/p>\n

\"Sarah<\/a>
The Message<\/em>, 2020
Sarah Bold
Oil on board, 30 x 23 cm | 11.8 x 9 in<\/figcaption><\/figure><\/center><\/p>\n

Clare: The fluorescent paint in your work is so striking. Can you tell us about your use of these and do you find they require any different handling compared to non-fluorescent colours?<\/strong><\/p>\n

Sarah: Thanks! I was really mindful of how the plastic on our shores was a mixture of non – landscape colours, yet they somehow blended in. The plastic is like an invasive species, you don\u2019t really notice it until it has infiltrated and taken over. It\u2019s only when you really started looking amongst the seaweed it became apparent what a jumble of multi colour there is and the devastation it is causing. When you live by the coast fluorescent colour also represents a warning. You see it on buoys, boats, life saving equipment, high vis clothing worn by support crews such as the coast guard, mountain rescue etc. It is an artificial colour that leaves an everlasting impression in your mind, much like the plastic that never truly disintegrates. <\/p>\n

The fluorescent paint is also difficult to apply, especially when used with oil paint. It is important to think about the layer beneath because if it is too oily the fluorescent won\u2019t adhere and bubbles. I usually have to build up a few thin layers, depending on how intense I want the colour to look.<\/p>\n

\"Sarah<\/a>
Storm Plastic<\/em>, 2020
Sarah Bold
Oil on board, 30 x 23 cm | 11.8 x 9 in<\/figcaption><\/figure><\/center><\/p>\n

Clare: Do you have any favourite techniques you employ to get the qualities you seek? Any special mediums\/blending tools?<\/strong><\/p>\n

Sarah: Good tunes! Music is really important to me when I paint, it helps me get to that place where you are almost not thinking and just trusting your intuition, then the hours fly by. Apart from that, I have always had a secret yearning to be more of an abstract painter so I am forever telling myself to loosen up – yet I somehow always end up painting figuratively in the end. <\/p>\n

On a practical level, when painting I generally start with a coloured ground and then I seem to spend a lot of time applying paint and scraping it off in certain areas to reveal the layers below. I use a mixture of brushes, palette knives and old credit cards. Sometimes I use nails to scratch in marks towards the end. I tend to work in two sizes, either large canvas (120 – 150 cm) or smaller (23 x 30 cm) on board. <\/p>\n

\"Sarah<\/a>
Sea Weed Bag<\/em>, 2020
Sarah Bold
Oil on board, 30 x 23 cm | 11.8 x 9 in<\/figcaption><\/figure><\/center><\/p>\n

Clare: What would you consider is the greatest source of frustration in your creative life and do you have any tried and tested ways of overcoming this challenge?<\/strong><\/p>\n

Sarah: Like most artists I\u2019d imagine, it\u2019s time – trying to carve out not only the studio time but also the thinking time. We have kids, we live on a croft (smallholding of about forty acres) and run a business so its always a bit of a juggle. I try to stick to certain days regularly a week so that\u2019s it clear in my head and so I can start to gather my thoughts prior to going into the studio. We are fortunate to live in an amazing place, it is truly beautiful but we are also a long way from being able to visit galleries and the stimulation of seeing a variety of other artists work. During lockdown a lot of gallery exhibitions became available to view online and this was a great thing for folk who live rurally and don\u2019t always get the opportunity to get to cities. <\/p>\n

\"Sarah<\/a>
Detail from: The More You Look the More You See<\/em>, 2020
Sarah Bold
Oil on canvas, 120 x 150 cm | 47 x 59 in<\/figcaption><\/figure><\/center><\/p>\n

Clare: What are your most important artist\u2019s tools? Do you have any favourites?<\/strong><\/p>\n

Sarah: I think my favourite tool is one particular palette knife I use. It has just the right amount of flex. I like the effect it has when I use it to scrape off relatively wet paint. <\/p>\n

\"Sarah<\/a>
Dead Weight<\/em>, 2020
Sarah Bold
Oil on board, 30 x 23 cm | 11.8 x 9 in<\/figcaption><\/figure><\/center><\/p>\n

Clare: Can you tell us about your studio?<\/strong><\/p>\n

Sarah: My studio is on our croft, not far from the house. It\u2019s an old Nissen hut with big windows that look out over a sea loch towards the mountains. It has a lovely big log burner for the winter months, I love it. <\/p>\n

\"Sarah<\/a>
Sarah’s studio.<\/figcaption><\/figure><\/center><\/p>\n

\"Sarah<\/a>
Inshore<\/em>, 2021
Sarah Bold
Oil on board, 23 x 30 cm | 9 x 11.8 in<\/figcaption><\/figure><\/center><\/p>\n

Clare: What are your art influences? Who are your favourite contemporary or historical artists and why?<\/strong><\/p>\n

Sarah: It jumps around a bit, depending on what happens to fall my way. I’ve always been attracted to abstract painters and also landscape photographers. Painters that I always return to are Andreas Eriksson, Mark Rothko, Gerhard Richter\u2019s landscapes and the Australian artist Fred Williams. I have always loved all of Tacita Dean\u2019s work, she has such an amazing diversity. Recently I have been looking more at Mamma Andersson\u2019s landscapes and the fantastic brushwork and fluidity of Lynette Yiadom Boakye. The photographer Hiroshi Sugimoto will always be a favourite. <\/p>\n

\"Sarah<\/a>
Castaways<\/em>, 2021
Sarah Bold
Oil on board, 23 x 30 cm | 9 x 11.8 in<\/figcaption><\/figure><\/center><\/p>\n

Clare: What makes a good day in the studio for you?<\/strong><\/p>\n

Sarah: I like to get all my chores done first thing, (kids to school, then I sometimes have a run, chickens sorted, check the sheep and horses) then grab a coffee and head into the studio. If it\u2019s winter I’ll try and have the fire ready to go even before I do my chores as it takes a little while for the studio to warm up. I\u2019ll put on some music, have a bit of a potter about while I have my coffee and then get stuck in. It\u2019s amazing the way a studio day can unfold. Sometimes you can be so excited to be there and then everything goes pear shaped, then at other times everything just flows and it\u2019s like you have been handed a beautiful gift or moment in time from out of nowhere. That\u2019s what it\u2019s all about. Obviously not all moments in the studio can be like that, otherwise they wouldn\u2019t be special, but it certainly is the thing I love about painting. I think a good day is when you\u2019re not trying too hard but still trying hard enough. It\u2019s a fine line but I love the immersion of concentration that comes with that, it\u2019s almost like a meditation of sorts. <\/p>\n

I try to be mindful of how my mood is when emerging from the studio, particularly if it\u2019s been one of those days that went a bit crappy. It\u2019s hard to not let the painting determine your mood, and so I try to remember that good and bad days are all part of the process – although it is much easier to finish when I’m feeling good about the work! <\/p>\n

\"Sarah<\/a>
Transgression<\/em>, 2021
Sarah Bold
Oil on board, 23 x 30 cm | 9 x 11.8 in<\/figcaption><\/figure><\/center><\/p>\n

Clare: Can you tell us where we can see more of your work online or in the flesh?<\/strong><\/p>\n

Sarah: I have a painting in the John Muir Open exhibition at the moment with North Light Arts in Dunbar. I have a website sarahbold.com<\/a> and I also post most recent work on Insta @sarahabold<\/a>. Thank you. <\/p>\n

\"Sarah<\/a>
Hundreds and Thousands<\/em>, 2021
Sarah Bold
Oil on board, 23 x 30 cm | 9 x 11.8 in<\/figcaption><\/figure><\/center><\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Sarah Bold won the Landscape\/Seascape\/Cityscape Award in the Jackson\u2019s Painting Prize this year with her oil painting Incoming. In her […]<\/p>\n","protected":false},"author":25,"featured_media":1431568,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[12633],"tags":[2706,15119,3288,12634,10034,463],"class_list":["post-1429746","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-jacksons-painting-prize-2021","tag-artist-interviews","tag-jacksons-art-prize","tag-jacksons-painting-prize","tag-jpp-2021","tag-jpp-interview","tag-oil-painting"],"acf":[],"yoast_head":"\nSarah Bold: Shifting Perspectives - Jackson's Art Blog<\/title>\n<meta name=\"description\" content=\"Artist interview with Sarah Bold winner of the Landscape\/Cityscaoe\/Seascape Award in the Jackson's Painting Prize 2021 with her painting, \u2018Incoming\u2019.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Sarah Bold: Shifting Perspectives\" \/>\n<meta property=\"og:description\" content=\"Artist interview with Sarah Bold winner of the Landscape\/Cityscaoe\/Seascape Award in the Jackson's Painting Prize 2021 with her painting, \u2018Incoming\u2019.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/\" \/>\n<meta property=\"og:site_name\" content=\"\u00a0Jackson's Art Blog\" \/>\n<meta property=\"article:published_time\" content=\"2021-09-22T07:49:35+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-31T14:52:07+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2021\/09\/Sarah-Bold-Portrait.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"480\" \/>\n\t<meta property=\"og:image:height\" content=\"640\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Clare McNamara\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Clare McNamara\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"12 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/2021\\\/09\\\/22\\\/sarah-bold-shifting-perspectives\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/2021\\\/09\\\/22\\\/sarah-bold-shifting-perspectives\\\/\"},\"author\":{\"name\":\"Clare McNamara\",\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/#\\\/schema\\\/person\\\/8e0c8f00fcd90c7aa2cf8972877ee59b\"},\"headline\":\"Sarah Bold: Shifting Perspectives\",\"datePublished\":\"2021-09-22T07:49:35+00:00\",\"dateModified\":\"2026-03-31T14:52:07+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/2021\\\/09\\\/22\\\/sarah-bold-shifting-perspectives\\\/\"},\"wordCount\":2498,\"commentCount\":2,\"publisher\":{\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/2021\\\/09\\\/22\\\/sarah-bold-shifting-perspectives\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Sarah-Bold-Portrait.jpg\",\"keywords\":[\"Artist Interviews\",\"Jackson's Art Prize\",\"Jackson's Painting Prize\",\"JPP 2021\",\"JPP Interview\",\"Oil Painting\"],\"articleSection\":[\"Jackson's Painting Prize 2021\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/2021\\\/09\\\/22\\\/sarah-bold-shifting-perspectives\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/2021\\\/09\\\/22\\\/sarah-bold-shifting-perspectives\\\/\",\"url\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/2021\\\/09\\\/22\\\/sarah-bold-shifting-perspectives\\\/\",\"name\":\"Sarah Bold: Shifting Perspectives - Jackson's Art Blog\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/2021\\\/09\\\/22\\\/sarah-bold-shifting-perspectives\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/2021\\\/09\\\/22\\\/sarah-bold-shifting-perspectives\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Sarah-Bold-Portrait.jpg\",\"datePublished\":\"2021-09-22T07:49:35+00:00\",\"dateModified\":\"2026-03-31T14:52:07+00:00\",\"description\":\"Artist interview with Sarah Bold winner of the Landscape\\\/Cityscaoe\\\/Seascape Award in the Jackson's Painting Prize 2021 with her painting, \u2018Incoming\u2019.\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/2021\\\/09\\\/22\\\/sarah-bold-shifting-perspectives\\\/#breadcrumb\"},\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/2021\\\/09\\\/22\\\/sarah-bold-shifting-perspectives\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/2021\\\/09\\\/22\\\/sarah-bold-shifting-perspectives\\\/#primaryimage\",\"url\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Sarah-Bold-Portrait.jpg\",\"contentUrl\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/wp-content\\\/uploads\\\/2021\\\/09\\\/Sarah-Bold-Portrait.jpg\",\"width\":480,\"height\":640},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/2021\\\/09\\\/22\\\/sarah-bold-shifting-perspectives\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Sarah Bold: Shifting Perspectives\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/#website\",\"url\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/\",\"name\":\"Jackson's Art Blog\",\"description\":\"\u00a0Jackson's Art\",\"publisher\":{\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-GB\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/#organization\",\"name\":\"Jackson's Art Blog\",\"alternateName\":\"Jackson's Art\",\"url\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/wp-content\\\/uploads\\\/2019\\\/02\\\/logo.svg\",\"contentUrl\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/wp-content\\\/uploads\\\/2019\\\/02\\\/logo.svg\",\"caption\":\"Jackson's Art Blog\"},\"image\":{\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/#\\\/schema\\\/logo\\\/image\\\/\"}},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/#\\\/schema\\\/person\\\/8e0c8f00fcd90c7aa2cf8972877ee59b\",\"name\":\"Clare McNamara\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-GB\",\"@id\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/author-clare-300x300.png\",\"url\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/author-clare-300x300.png\",\"contentUrl\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/wp-content\\\/uploads\\\/2026\\\/10\\\/author-clare-300x300.png\",\"caption\":\"Clare McNamara\"},\"description\":\"Clare McNamara is the former Editor of Jackson\u2019s Art Blog. During her time in the role, she regularly contributed interviews, reviews, and in-depth features. Clare has a background in fine arts, and her multidisciplinary practice includes illustration, graphic design, video, and music. Her combined experience as both a practitioner and editor informed her editorial approach, helping to shape content that supports and engages Jackson\u2019s community of artists.\",\"url\":\"https:\\\/\\\/www.jacksonsart.com\\\/blog\\\/author\\\/clare\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO Premium plugin. -->","yoast_head_json":{"title":"Sarah Bold: Shifting Perspectives - Jackson's Art Blog","description":"Artist interview with Sarah Bold winner of the Landscape\/Cityscaoe\/Seascape Award in the Jackson's Painting Prize 2021 with her painting, \u2018Incoming\u2019.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/","og_locale":"en_GB","og_type":"article","og_title":"Sarah Bold: Shifting Perspectives","og_description":"Artist interview with Sarah Bold winner of the Landscape\/Cityscaoe\/Seascape Award in the Jackson's Painting Prize 2021 with her painting, \u2018Incoming\u2019.","og_url":"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/","og_site_name":"\u00a0Jackson's Art Blog","article_published_time":"2021-09-22T07:49:35+00:00","article_modified_time":"2026-03-31T14:52:07+00:00","og_image":[{"width":480,"height":640,"url":"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2021\/09\/Sarah-Bold-Portrait.jpg","type":"image\/jpeg"}],"author":"Clare McNamara","twitter_card":"summary_large_image","twitter_misc":{"Written by":"Clare McNamara","Estimated reading time":"12 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/#article","isPartOf":{"@id":"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/"},"author":{"name":"Clare McNamara","@id":"https:\/\/www.jacksonsart.com\/blog\/#\/schema\/person\/8e0c8f00fcd90c7aa2cf8972877ee59b"},"headline":"Sarah Bold: Shifting Perspectives","datePublished":"2021-09-22T07:49:35+00:00","dateModified":"2026-03-31T14:52:07+00:00","mainEntityOfPage":{"@id":"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/"},"wordCount":2498,"commentCount":2,"publisher":{"@id":"https:\/\/www.jacksonsart.com\/blog\/#organization"},"image":{"@id":"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/#primaryimage"},"thumbnailUrl":"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2021\/09\/Sarah-Bold-Portrait.jpg","keywords":["Artist Interviews","Jackson's Art Prize","Jackson's Painting Prize","JPP 2021","JPP Interview","Oil Painting"],"articleSection":["Jackson's Painting Prize 2021"],"inLanguage":"en-GB","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/","url":"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/","name":"Sarah Bold: Shifting Perspectives - Jackson's Art Blog","isPartOf":{"@id":"https:\/\/www.jacksonsart.com\/blog\/#website"},"primaryImageOfPage":{"@id":"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/#primaryimage"},"image":{"@id":"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/#primaryimage"},"thumbnailUrl":"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2021\/09\/Sarah-Bold-Portrait.jpg","datePublished":"2021-09-22T07:49:35+00:00","dateModified":"2026-03-31T14:52:07+00:00","description":"Artist interview with Sarah Bold winner of the Landscape\/Cityscaoe\/Seascape Award in the Jackson's Painting Prize 2021 with her painting, \u2018Incoming\u2019.","breadcrumb":{"@id":"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/#breadcrumb"},"inLanguage":"en-GB","potentialAction":[{"@type":"ReadAction","target":["https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/"]}]},{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/#primaryimage","url":"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2021\/09\/Sarah-Bold-Portrait.jpg","contentUrl":"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2021\/09\/Sarah-Bold-Portrait.jpg","width":480,"height":640},{"@type":"BreadcrumbList","@id":"https:\/\/www.jacksonsart.com\/blog\/2021\/09\/22\/sarah-bold-shifting-perspectives\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/www.jacksonsart.com\/blog\/"},{"@type":"ListItem","position":2,"name":"Sarah Bold: Shifting Perspectives"}]},{"@type":"WebSite","@id":"https:\/\/www.jacksonsart.com\/blog\/#website","url":"https:\/\/www.jacksonsart.com\/blog\/","name":"Jackson's Art Blog","description":"\u00a0Jackson's Art","publisher":{"@id":"https:\/\/www.jacksonsart.com\/blog\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/www.jacksonsart.com\/blog\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-GB"},{"@type":"Organization","@id":"https:\/\/www.jacksonsart.com\/blog\/#organization","name":"Jackson's Art Blog","alternateName":"Jackson's Art","url":"https:\/\/www.jacksonsart.com\/blog\/","logo":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.jacksonsart.com\/blog\/#\/schema\/logo\/image\/","url":"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2019\/02\/logo.svg","contentUrl":"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2019\/02\/logo.svg","caption":"Jackson's Art Blog"},"image":{"@id":"https:\/\/www.jacksonsart.com\/blog\/#\/schema\/logo\/image\/"}},{"@type":"Person","@id":"https:\/\/www.jacksonsart.com\/blog\/#\/schema\/person\/8e0c8f00fcd90c7aa2cf8972877ee59b","name":"Clare McNamara","image":{"@type":"ImageObject","inLanguage":"en-GB","@id":"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2026\/10\/author-clare-300x300.png","url":"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2026\/10\/author-clare-300x300.png","contentUrl":"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2026\/10\/author-clare-300x300.png","caption":"Clare McNamara"},"description":"Clare McNamara is the former Editor of Jackson\u2019s Art Blog. During her time in the role, she regularly contributed interviews, reviews, and in-depth features. Clare has a background in fine arts, and her multidisciplinary practice includes illustration, graphic design, video, and music. Her combined experience as both a practitioner and editor informed her editorial approach, helping to shape content that supports and engages Jackson\u2019s community of artists.","url":"https:\/\/www.jacksonsart.com\/blog\/author\/clare\/"}]}},"_links":{"self":[{"href":"https:\/\/www.jacksonsart.com\/blog\/wp-json\/wp\/v2\/posts\/1429746","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.jacksonsart.com\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.jacksonsart.com\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.jacksonsart.com\/blog\/wp-json\/wp\/v2\/users\/25"}],"replies":[{"embeddable":true,"href":"https:\/\/www.jacksonsart.com\/blog\/wp-json\/wp\/v2\/comments?post=1429746"}],"version-history":[{"count":37,"href":"https:\/\/www.jacksonsart.com\/blog\/wp-json\/wp\/v2\/posts\/1429746\/revisions"}],"predecessor-version":[{"id":1576316,"href":"https:\/\/www.jacksonsart.com\/blog\/wp-json\/wp\/v2\/posts\/1429746\/revisions\/1576316"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.jacksonsart.com\/blog\/wp-json\/wp\/v2\/media\/1431568"}],"wp:attachment":[{"href":"https:\/\/www.jacksonsart.com\/blog\/wp-json\/wp\/v2\/media?parent=1429746"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.jacksonsart.com\/blog\/wp-json\/wp\/v2\/categories?post=1429746"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.jacksonsart.com\/blog\/wp-json\/wp\/v2\/tags?post=1429746"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}