{"id":1528909,"date":"2024-05-09T22:43:44","date_gmt":"2024-05-09T21:43:44","guid":{"rendered":"https:\/\/www.jacksonsart.com\/blog\/?p=1528909"},"modified":"2026-03-31T16:05:26","modified_gmt":"2026-03-31T15:05:26","slug":"tips-for-creating-strong-composition-and-illusory-depth","status":"publish","type":"post","link":"https:\/\/www.jacksonsart.com\/blog\/2024\/05\/09\/tips-for-creating-strong-composition-and-illusory-depth\/","title":{"rendered":"Tips for Creating Strong Composition and Illusory Depth"},"content":{"rendered":"<p>Strong composition can be the key to a successful painting, perhaps even more so than colour and contrast. So says Jenny Aitken in this chapter from her new book <em>Painting into the Light<\/em>, where she shares key tips for creating a successful composition and achieving illusory depth. Throughout the book, she also offers guidance on how to infuse your paintings with vibrant light. Aimed at intermediate artists, it includes explanations on simplifying the image, tonal control, creating atmospheric depth, working outdoors and indoors, and capturing accurate colour through step-by-step demonstrations, and illustrated techniques.<\/p>\n<hr>\n<figure id=\"attachment_1528899\" aria-describedby=\"caption-attachment-1528899\" style=\"width: 950px\" class=\"wp-caption alignnone\"><img fetchpriority=\"high\" decoding=\"async\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/COV-Painting-into-the-Light_Cover-1.jpg\" alt=\"\" width=\"950\" height=\"1200\" class=\"size-full wp-image-1528899\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/COV-Painting-into-the-Light_Cover-1.jpg 950w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/COV-Painting-into-the-Light_Cover-1-238x300.jpg 238w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/COV-Painting-into-the-Light_Cover-1-811x1024.jpg 811w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/COV-Painting-into-the-Light_Cover-1-768x970.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/COV-Painting-into-the-Light_Cover-1-620x783.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/COV-Painting-into-the-Light_Cover-1-940x1187.jpg 940w\" sizes=\"(max-width: 950px) 100vw, 950px\" \/><figcaption id=\"caption-attachment-1528899\" class=\"wp-caption-text\"><em>Painting into the Light: How to Work Atmospheric Magic With Your Oil Paints<\/em> by Jenny Aitken<br \/><small><a href=\"https:\/\/www.searchpress.com\/\" rel=\"noopener\" target=\"_blank\">Search Press<\/a><\/small><\/figcaption><\/figure>\n<h2 style=\"font-size: 22px;\">Tips for Creating Strong Composition and Illusory Depth<\/h2>\n<p><small>by Jenny Aitken<\/small><\/p>\n<h2>Composition<\/h2>\n<p>I tell people about the \u2018three Cs\u2019: composition, colour, and contrast \u2013 and the first is the most important. For any painting to be successful it needs a good, strong composition: it is simply the bones of the whole painterly animal!<\/p>\n<h2>Guiding the Eye<\/h2>\n<p>Even if every other element is top-notch, if your structure isn\u2019t guiding the eye in an effective way, all your fine work risks being lost.<\/p>\n<p>Analyse what you like about the image, then edit out anything that detracts from the energy of the composition. It is easy to miss the obvious and get distracted by the painting as a whole \u2013 forgetting the fact that you are composing a visual story.<\/p>\n<p>Good composition provides a compelling journey, or \u2018eye path\u2019, around both the surface of the canvas and through the illusory depth of the image.<\/p>\n<p>Think of a focal point as the lighthouse in the ocean of your painting, drawing the eye and keeping it from drifting out of the painting. Not every painting has an obvious subject, however \u2013 so when deciding on your focal point, ask yourself these questions:<\/p>\n<ul>\n<li>Why am I painting this image?<\/li>\n<li>What stood out to me originally?<\/li>\n<li>How can I make that stand out best in paint?<\/li>\n<\/ul>\n<p>Even if what you are painting doesn\u2019t sport an obvious focal point or particularly strong subject, you can still use good design to make the most of what you have. Remember, capturing the essence of your photograph or scene does not mean copying it mark for mark.<\/p>\n<p><img decoding=\"async\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/forcalendar1.jpg\" alt=\"Composition\" width=\"1500\" height=\"1050\" class=\"alignnone size-full wp-image-1528900\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/forcalendar1.jpg 1500w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/forcalendar1-300x210.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/forcalendar1-1024x717.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/forcalendar1-768x538.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/forcalendar1-620x434.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/forcalendar1-100x70.jpg 100w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/forcalendar1-940x658.jpg 940w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/p>\n<h2>Around and Around<\/h2>\n<p>In this painting, <i>Agapanthus<\/i>, the eye is drawn to the lightest area (behind the flowers on the right) but there is plenty to keep the eye pulled away and drawn back around the image.<\/p>\n<p>Leaves, daisies, stalks, headlands, and cloud shapes all work to make that path for the eye. The brushwork helps too. The sea could have been still, flat \u2013 instead I filled it with downward brushstrokes to help the flow.<\/p>\n<h2>A Journey for the Eye<\/h2>\n<p>Have a long look at this painting. The composition is designed to zigzag your eye both two-dimensionally around the canvas, and three-dimensionally through the scene. Subjects and brushwork angle towards each other and there is a sense of constant movement. Your eye does not stop wandering around the picture. It is drawn most strongly to the lightest area on the water, but little elements pull you away again: the verticals behind the foreground boat, the seagull and sparkles, the ropes.<\/p>\n<figure id=\"attachment_1528901\" aria-describedby=\"caption-attachment-1528901\" style=\"width: 1500px\" class=\"wp-caption alignnone\"><img decoding=\"async\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/harbourfinsihed.jpg\" alt=\"Composition\" width=\"1500\" height=\"1115\" class=\"size-full wp-image-1528901\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/harbourfinsihed.jpg 1500w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/harbourfinsihed-300x223.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/harbourfinsihed-1024x761.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/harbourfinsihed-768x571.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/harbourfinsihed-620x461.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/harbourfinsihed-940x699.jpg 940w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><figcaption id=\"caption-attachment-1528901\" class=\"wp-caption-text\"><em>West Coast Harbour<\/em><br \/>Jenny Aitken<br \/>Oil on canvas, 40 \u00d7 30 cm | 15.75 \u00d7 11.75 in<\/figcaption><\/figure>\n<h2>Compositional Tips<\/h2>\n<p><strong>Avoid a central focal point.<\/strong> It seems to be natural for us to want to place our subject centrally, be it the setting sun or a vase of flowers. It is neat and symmetrical and our focus is given pride of place. Central subjects call the eye straight to them, like a bull\u2019s-eye on a dartboard, and this works well in advertising design, when you have a message you need delivered very quickly.<\/p>\n<p>A speedy glance, however, is precisely the opposite of what we want! Our object is to entice the eye to linger, with all elements leading it around the focal point. We want a visual story, not a marketing message.<\/p>\n<p><strong>Make things unbalanced.<\/strong>\u2002A horizon or vertical line too close to the centre of the canvas will split the image into two, reducing the overall impact. Your painting can be beautiful within each of those two halves, but the draw of the eye path around it is lessened by the symmetrical pull of each side.<\/p>\n<p>As appealing as those two halves might be in their own right, you should aim to highlight the area that counts the most \u2013 it will be more impactful as a result. If every element is treated with the same level of importance, you overwhelm the eye and consequently create a flat painting.<\/p>\n<figure id=\"attachment_1528907\" aria-describedby=\"caption-attachment-1528907\" style=\"width: 1065px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/sunseaandicecream-cropped.jpg\" alt=\"Composition\" width=\"1065\" height=\"905\" class=\"size-full wp-image-1528907\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/sunseaandicecream-cropped.jpg 1065w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/sunseaandicecream-cropped-300x255.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/sunseaandicecream-cropped-1024x870.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/sunseaandicecream-cropped-768x653.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/sunseaandicecream-cropped-620x527.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/sunseaandicecream-cropped-940x799.jpg 940w\" sizes=\"(max-width: 1065px) 100vw, 1065px\" \/><figcaption id=\"caption-attachment-1528907\" class=\"wp-caption-text\">The figure in the red dress is the focal point in this painting. Here she is central, with the dog and the sign both angling in towards her. This placement reduces the compositional energy of the painting. The eye isn\u2019t drawn to anywhere else except the focal point \u2013 so while it might sell the dress, it doesn\u2019t help the painting!<\/figcaption><\/figure>\n<figure id=\"attachment_1528908\" aria-describedby=\"caption-attachment-1528908\" style=\"width: 1500px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/sunseaandicecream.jpg\" alt=\"Composition\" width=\"1500\" height=\"1111\" class=\"size-full wp-image-1528908\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/sunseaandicecream.jpg 1500w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/sunseaandicecream-300x222.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/sunseaandicecream-1024x758.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/sunseaandicecream-768x569.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/sunseaandicecream-620x459.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/sunseaandicecream-940x696.jpg 940w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><figcaption id=\"caption-attachment-1528908\" class=\"wp-caption-text\">The original painting, <em>Sun, Sea and Ice-cream<\/em>, in full. The red dress is still the main focal point, but now the elements are weighted differently. She is off-centre, as is the brightest light in the distance. The eye is encouraged to follow the shapes and angles around and through the scene. The difference is subtle but the consequences for the painting are vital to its success.<\/figcaption><\/figure>\n<p><strong>Make connections<\/strong>. Once everything is safely off-centre, all that remains is to connect the areas of the image. This compositional connection can be accentuated subtly through colour, texture, brushwork, light, and the subject itself. The objective is always that strong path for the eye: a flow and a point of interest. If you can get good design in from the start, your work will be all the stronger.<\/p>\n<p><strong>The rule of thirds.<\/strong> The rule of thirds simply means to avoid central horizons or verticals, keeping the focal point off-centre. Pop a three by three grid over your image to see how the composition is working. It is just a guide, however \u2013 as evidenced in the original painting on the right, higher horizons work for when the subject demands more attention, like a big roiling sea (or lower, for dramatic skies). The idea is to strongly weight the image one way or another, so you avoid the image folding in on itself at the horizon point.<\/p>\n<p><center><\/p>\n<h2 style=\"font-size: 22px;\">Keep the main focal point off-centre, and remember the rule of thirds \u2013 it is as simple as that.<\/h2>\n<p><\/center><\/p>\n<figure id=\"attachment_1528905\" aria-describedby=\"caption-attachment-1528905\" style=\"width: 1500px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/porthcurnickspakrle6050b.jpg\" alt=\"\" width=\"1500\" height=\"1193\" class=\"size-full wp-image-1528905\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/porthcurnickspakrle6050b.jpg 1500w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/porthcurnickspakrle6050b-300x239.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/porthcurnickspakrle6050b-1024x814.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/porthcurnickspakrle6050b-768x611.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/porthcurnickspakrle6050b-620x493.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/porthcurnickspakrle6050b-940x748.jpg 940w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><figcaption id=\"caption-attachment-1528905\" class=\"wp-caption-text\">You need to use the elements of the painting to tell the viewer where you want them to look. Here, the central horizon cuts the painting in half. The sky and sea have equal weight, and there is a battle for the viewer\u2019s attention.<\/figcaption><\/figure>\n<figure id=\"attachment_1528904\" aria-describedby=\"caption-attachment-1528904\" style=\"width: 1350px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/porthcurnickspakrle6050_adjusted.jpg\" alt=\"Composition\" width=\"1350\" height=\"1073\" class=\"size-full wp-image-1528904\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/porthcurnickspakrle6050_adjusted.jpg 1350w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/porthcurnickspakrle6050_adjusted-300x238.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/porthcurnickspakrle6050_adjusted-1024x814.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/porthcurnickspakrle6050_adjusted-768x610.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/porthcurnickspakrle6050_adjusted-620x493.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/porthcurnickspakrle6050_adjusted-940x747.jpg 940w\" sizes=\"(max-width: 1350px) 100vw, 1350px\" \/><figcaption id=\"caption-attachment-1528904\" class=\"wp-caption-text\">In the full painting, the horizon line ensures far more weight and attention is given to the sea.<\/figcaption><\/figure>\n<h2>Connect All Areas of the Painting<\/h2>\n<p>Scenes with obvious focal points \u2013 structures, people, trees \u2013 lend themselves well to the creation of a decent path for the eye. This is because the individual elements can be placed around the painting with one dominating the rest. It isn\u2019t always so straightforward, however. Sometimes you have to manipulate the subject to enable the strongest painterly design.<\/p>\n<p>When I paint outside, connections between elements are the most important aspects I look for. In the painting below, I increased the prominence of the pine tree and enhanced the reflection in the water, creating a strong vertical to connect the foreground, midground and background. Increasing the size of the background hill and sharpening the gradient of the land made them stronger shapes in the composition, which means they support the tree better.<\/p>\n<p>We are not tied by what we see or what a photograph tells us. Exercising our knowledge for strong design will result in art, not just representation.<\/p>\n<figure id=\"attachment_1528898\" aria-describedby=\"caption-attachment-1528898\" style=\"width: 1500px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/connectelements.jpg\" alt=\"Composition\" width=\"1500\" height=\"1267\" class=\"size-full wp-image-1528898\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/connectelements.jpg 1500w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/connectelements-300x253.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/connectelements-1024x865.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/connectelements-768x649.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/connectelements-620x524.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/connectelements-940x794.jpg 940w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><figcaption id=\"caption-attachment-1528898\" class=\"wp-caption-text\"><em>My Favourite Tree<\/em><br \/>Jenny Aitken<br \/>Oil on canvas, 30 \u00d7 24 cm | 11.75 \u00d7 9.5 in<br \/>This plein air painting \u2013 which began contre-jour, though ended in a rather grey day \u2013 shows the river Derwent at Chatsworth.<\/figcaption><\/figure>\n<h2>Get Connected<\/h2>\n<p>This painting has a strong visual current guiding the eye. It doesn\u2019t have a single focal point as such \u2013 instead the composition flows between each connected element.<\/p>\n<p>Everything is working to guide the eye around and through. The foreground boats and ropes lead the eye in, their angles all pointing to the top left. The shapes of the blue water and warm sand stabilise the lean by pushing the eye to the right. The eye hits the background town of St Ives and moves right and down, via the highlights on the roofs and the haze of the sun above. It then reaches the people walking right, and takes our gaze and imagination beyond the harbour wall.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/arrow-v-3.jpg\" alt=\"\" width=\"1402\" height=\"1086\" class=\"alignnone size-full wp-image-1528896\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/arrow-v-3.jpg 1402w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/arrow-v-3-300x232.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/arrow-v-3-1024x793.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/arrow-v-3-768x595.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/arrow-v-3-620x480.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2024\/04\/arrow-v-3-940x728.jpg 940w\" sizes=\"(max-width: 1402px) 100vw, 1402px\" \/><\/p>\n<hr>\n<p><small>Text copyright \u00a9 <a href=\"https:\/\/jennyaitken.co.uk\/\" rel=\"noopener\" target=\"_blank\">Jenny Aitken<\/a> 2024<\/small><br \/>\n<small>Photo credits \u00a9 Jenny Aitken and Mark Davison 2024<\/small><br \/>\n<small>Published by <a href=\"https:\/\/www.searchpress.com\/\" rel=\"noopener\" target=\"_blank\">Search Press<\/a> 2024<\/small><\/p>\n<hr>\n<h2>Further Reading<\/h2>\n<p><a href=\"https:\/\/www.jacksonsart.com\/blog\/2024\/03\/19\/tips-for-landscape-painting-on-location\/\" rel=\"noopener\" target=\"_blank\">Tips for Landscape Painting on Location<\/a><\/p>\n<p><a href=\"https:\/\/www.jacksonsart.com\/blog\/2023\/06\/16\/how-to-resolve-a-landscape-painting-composition\/\" rel=\"noopener\" target=\"_blank\">How to Resolve a Landscape Painting Composition<\/a><\/p>\n<p><a href=\"https:\/\/www.jacksonsart.com\/blog\/2023\/11\/23\/golden-soflat-acrylic-for-hard-edge-abstract-painting\/\" rel=\"noopener\" target=\"_blank\">Golden SoFlat Acrylic for Hard Edge Abstract Painting<\/a><\/p>\n<p><a href=\"https:\/\/www.jacksonsart.com\/blog\/2023\/12\/04\/the-making-of-the-peasants-a-painted-film\/\" rel=\"noopener\" target=\"_blank\">The Making of \u2018The Peasants\u2019, a Painted Film<\/a><\/p>\n<p><strong><a href=\"https:\/\/www.jacksonsart.com\/painting-into-the-light-book-by-jenny-aitken\" rel=\"noopener\" target=\"_blank\">Shop <em>Painting into the Light<\/em> on jacksonsart.com<\/a><\/strong><\/p>\n<p><a href=\"https:\/\/www.jacksonsart.com\/blog\/tag\/colour-in-practice\/\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2022\/10\/JAS_Colour_In_Practice_Series_Banner.jpg\" alt=\"\" width=\"1500\" height=\"500\" class=\"alignnone size-full wp-image-1505124\" srcset=\"https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2022\/10\/JAS_Colour_In_Practice_Series_Banner.jpg 1500w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2022\/10\/JAS_Colour_In_Practice_Series_Banner-300x100.jpg 300w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2022\/10\/JAS_Colour_In_Practice_Series_Banner-1024x341.jpg 1024w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2022\/10\/JAS_Colour_In_Practice_Series_Banner-768x256.jpg 768w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2022\/10\/JAS_Colour_In_Practice_Series_Banner-620x207.jpg 620w, https:\/\/www.jacksonsart.com\/blog\/wp-content\/uploads\/2022\/10\/JAS_Colour_In_Practice_Series_Banner-940x313.jpg 940w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Strong composition can be the key to a successful painting, perhaps even more so than colour and contrast. So says [&hellip;]<\/p>\n","protected":false},"author":25,"featured_media":1528902,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[475],"tags":[15141,2610,463],"class_list":["post-1528909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-oil-painting-art-technique","tag-book-features","tag-composition","tag-oil-painting"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v27.3 (Yoast SEO v27.3) - 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