{"id":3363,"date":"2011-11-07T09:05:37","date_gmt":"2011-11-07T09:05:37","guid":{"rendered":"http:\/\/blog.jacksonsart.co.uk\/?p=3363"},"modified":"2019-03-09T21:57:33","modified_gmt":"2019-03-09T21:57:33","slug":"pastel-painting-overview","status":"publish","type":"post","link":"https:\/\/www.jacksonsart.com\/blog\/2011\/11\/07\/pastel-painting-overview\/","title":{"rendered":"Pastel Painting Overview"},"content":{"rendered":"
\"Soft<\/a>
Soft Pastels<\/figcaption><\/figure>\nWorking with pastels<\/a> is usually called pastel painting. It is a way for artists to paint directly with pigment without the intermediary of a brush. Blending can be done with the finger, blending tools<\/a> or a brush<\/a>. Pastels come as oil pastels<\/a>, soft pastels<\/a> and hard pastels<\/a>. <\/p>\n

Health concerns about breathing in dust from the soft chalk pastels have caused some pastel artists to switch to oil pastels. An oil pastel has the pigment bound with non-drying oil and wax. Quite different results can be achieved using a variety of techniques. For example: oil pastels dissolved with solvents<\/a> look very different to ones used lightly over the surface of a textured paper<\/a>. Some wax or oil pastels are also water-soluble<\/a>. A fixative exists for oil pastels<\/a> though some artists feel it isn’t necessary.<\/p>\n

A soft pastel is made to be as soft as possible without falling apart or breaking too easily. Because colours are mixed on the surface by layering and not mixed on a palette beforehand pastels usually come in a huge range of tints and shades of colours. Soft pastels can be used dry or with water and also come in a pencil format<\/a> that is tidier to use.<\/p>\n

Finished paintings are often sprayed with a fixative<\/a> for longevity as the soft colour may not adhere completely to the surface (especially if many layers are built up) and the colour remains somewhat smudge-able. Some artists find fixative changes the colour or texture too much and they rely solely on framing behind glass<\/a> as protection from smudging. <\/p>\n

Hard pastels are usually square and are often called carre crayons<\/a>. They have been baked at a higher temperature and their hardness allows finer lines to be made with their edges.<\/p>\n

Like all artist materials the quality of a pastel is measured by the amount and quality of pigment – the higher quality pastels have little or no filler and the minimum amount of binder required to hold the pastel together. Every artist develops a preference for a particular brand, often based on colour choice or level of softness or hardness. A beginner would be wise to buy a colour in each brand and as they need to replace each colour buy the brand they have come to like best. <\/p>\n

The surfaces used with soft pastels<\/a> usually need to have a tooth to hold the powdery colour onto the surface. Pastel painting is usually done on paper though there is a textured ground by Golden Acrylics<\/a> that can be painted on primed wood or canvas so that those surfaces can hold the pigment from soft pastels. Pastel paper comes in a variety of colours and textures designed to be able to hold the pigment in the texture of the paper and for the colour of the paper to be a part of the painting.<\/p>\n

Here is the page on our website with more complete oil pastel information.<\/a><\/p>\n

Here is a great Empty Easel article on oil pastels<\/a> with loads of information.<\/p>\n

Clicking on the links above will take you to that product or department on the Jackson’s Art website.<\/p>\n","protected":false},"excerpt":{"rendered":"

Working with pastels is usually called pastel painting. 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