{"id":638178,"date":"2016-02-18T06:00:43","date_gmt":"2016-02-18T06:00:43","guid":{"rendered":"http:\/\/www.jacksonsart.com\/blog\/?p=638178"},"modified":"2026-03-31T15:27:35","modified_gmt":"2026-03-31T14:27:35","slug":"paul-wright-monotypes","status":"publish","type":"post","link":"https:\/\/www.jacksonsart.com\/blog\/2016\/02\/18\/paul-wright-monotypes\/","title":{"rendered":"Paul Wright on Monotypes"},"content":{"rendered":"
Paul Wright’s monotypes are energetic, bold and characterful. His is a language that uses rich oil colour that glides across the surface, offering up not only a likeness of\u00a0the subject but an essence of the sitter’s inner self, and a painterly quality that is sumptuous and vibrant. In abstract terms the mark making and colour offer a feast for the eyes, while the subject matter and how\u00a0it is portrayed\u00a0offers intrigue and insight.<\/h5>\n
\"Paul
Paul Wright: \u2018Red Ear\u2019 Monotype 40cm x 30cm 2015<\/figcaption><\/figure>\n

Lisa: What do you like most about making monotypes?<\/em><\/p>\n

Paul:\u00a0The immediacy of making monotypes hooked me from the off, I work very quickly on my paintings and try to keep energy and movement in the paint. Monotypes allow me to work fluidly and quickly, which very much suits my temperament.<\/strong><\/p>\n

Lisa: What sort of inks do you like to use and why?<\/em><\/p>\n

Paul:\u00a0I use Lefranc & Bourgois etching inks, these are quite sticky out of the tube but I work them down with some turpentine to a consistency that works for me. They are rich and offer a range of blacks alongside deep and vivid colours.<\/strong><\/p>\n

Lisa: Can you give us the life story of one of your monotype prints? From the initial idea through to the execution?<\/em><\/p>\n

Paul:\u00a0I look for the head that I want to work from and try to think tonally, I then think about the size and then the mood of the print, as I work so quickly this is often more reflective of my mood than the subjects and I notice that a solid days printmaking will have a very distinctive feel to the results.<\/strong><\/p>\n

\"Paul
Paul Wright: ‘Dealbreaker\u2019 (3rd version) Monotype 40cm x 30cm 2015<\/figcaption><\/figure>\n

Lisa: What inspires your monotypes?<\/em><\/p>\n

Paul:\u00a0I am inspired in the same way as I am with my paintings. I try to allow everything in to my head that can unlock an image.<\/strong><\/p>\n

Lisa: What is the biggest practical challenge that you often face when making monotypes?<\/em><\/p>\n

Paul:\u00a0The greatest problem is always trying to see the image in reverse, and because I am working with paper as my lightest point I have to be aware of the tonal value of the plate. I think it is down to re calibrating your eyes and brain to look for slightly different things than when painting.<\/strong><\/p>\n

\"Paul
Paul Wright: \u2018Colour blind\u2019 Monotype 40cm x 30cm 2015<\/figcaption><\/figure>\n

Lisa: How do the monotype prints relate to your paintings?<\/em><\/p>\n

Paul:\u00a0This first series of monotypes are much quieter in their surface make up than my paintings which incorporate a more varied range of methods of applying the material and moving it around, However I am trying to bring them closer together and this will happen more as I begin to work with colour.<\/strong><\/p>\n

Lisa: How important is scale in your work?<\/em><\/p>\n

Paul:\u00a0Unfortunately I am bound to the size of my press and until I can get access to a larger one I will be bound to explore within a smaller scale.<\/strong><\/p>\n

Lisa: What are you working on at the moment?<\/em><\/p>\n

Paul:\u00a0I am beginning a series of monotypes and paintings of ballet dancers, mostly monochrome with the emphasis on movement described through the mark making.<\/strong><\/p>\n

Lisa: Where online or in the flesh can we view more of our work?<\/em><\/p>\n

Paul:\u00a0My work can be seen through Thompson\u2019s gallery in London, thompsonsgallery.co.uk<\/a> or directly through my website, www.paul-wright.com<\/a><\/strong><\/p>\n

\"Paul
Paul Wright: ‘Boy 8’, monotype, 40cm x 30cm 2015<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Paul Wright’s monotypes are energetic, bold and characterful. His is a language that uses rich oil colour that glides across […]<\/p>\n","protected":false},"author":4,"featured_media":643198,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"inline_featured_image":false,"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[163],"tags":[562,1248,129],"class_list":["post-638178","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-guest-artists","tag-monotype-printing","tag-paul-wright","tag-printmaking"],"acf":[],"yoast_head":"\nPaul Wright on Monotypes - Jackson's Art Blog<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.jacksonsart.com\/blog\/2016\/02\/18\/paul-wright-monotypes\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Paul Wright on Monotypes\" \/>\n<meta property=\"og:description\" content=\"Paul Wright’s monotypes are energetic, bold and characterful. 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