{"id":956183,"date":"2016-08-29T09:00:46","date_gmt":"2016-08-29T08:00:46","guid":{"rendered":"https:\/\/www.jacksonsart.com\/blog\/?p=956183"},"modified":"2020-01-23T15:43:45","modified_gmt":"2020-01-23T15:43:45","slug":"current-events-35-2","status":"publish","type":"post","link":"https:\/\/www.jacksonsart.com\/blog\/2016\/08\/29\/current-events-35-2\/","title":{"rendered":"Current Events 35"},"content":{"rendered":"

Current Events #35. A selection of UK art exhibitions and events for week 35 of 2016.
\n(click images for larger view)<\/p>\n

\n
100 x Madonna<\/h5>\n

7-17 September 2016<\/p>\n

\"Madonna\"<\/a><\/p>\n

Opening event: 8 September 6.30\u20139pm. RSVP: gtting.patrick4@gmail.com<\/p>\n

Accompanying workshops and events: Family Triptych Creation \u2013 Paper Making – Life Drawing \u2013 Clay Workshop \u2013 Gong Meditation \u2013 Dance Beliefs and Common Ground Conversation, details on Art Catcher website<\/a>. Facebook event page.<\/a><\/p>\n

The Crypt Gallery<\/a>
\nEuston Road
\nLondon
\nNW1 2BA<\/p>\n

\n
Edge of Ordinary 5<\/h5>\n

30 August – 11 September 2016<\/p>\n

\"espacio<\/a><\/p>\n

Ceramics, video, installation and 2D work. Charlie Dillon, Pamela Gerrie, Joanna Gilbert, Jiji Kim, Gail Olding,Gosia Poraj, Claire Weinstock. Curated by Charlie Dillon & Gail Olding. Private View: 1 September.<\/p>\n

Espacio Gallery<\/a>
\n159 Bethnal Green Road
\nLondon E2 7DG
\n(Just off Brick Lane in East London)<\/p>\n

\n
Jenny Matthews: Sapphire Skies<\/h5>\n

12th Aug – 12th Sept<\/p>\n

\"Jenny<\/a><\/p>\n

Award winning watercolourist Jenny Matthews third solo exhibition at Union Gallery.<\/p>\n

Union Gallery<\/a>
\n4 Drumsheugh Place
\nEdinburgh
\nEH3 7PT<\/p>\n

\n
Mary Lloyd Jones: Colour Notes<\/h5>\n

August 21 – September 10 2016<\/p>\n

\"Mary<\/a>
Mary Lloyd Jones<\/figcaption><\/figure>\n

Mary Lloyd Jones, this year\u2019s recipient of the Glynd\u0175r Award, is inspired by the Welsh landscape. The foundation of Mary\u2019s work is a personal, layered language of colour in response to the experience of particular locations, using maps and prehistory.<\/p>\n

Museum of Modern Art Wales<\/a>, MOMA Machynlleth (Foyer Gallery)
\nThe Tabernacle, Heol Penrallt, Machynlleth
\nPowys
\nSY20 8AJ<\/p>\n

\n
Kaleidoscope: It\u2019s Me To The World<\/h5>\n

August 19 – November 11 2016<\/p>\n

\"Helen<\/a>
Helen Chadwick, Viral Landscapes (detail) 1988-89 Copyright the Artist. Image Courtesy National Museums Liverpool<\/figcaption><\/figure>\n

An exhibition of highlights from the history of the gallery and reflects on some of the key ideas in contemporary art over the past half a century. The artists in this exhibition adopt forms from nature and employ the body to explore ideas relating to memory, space, land, politics and endurance. This fourth exhibition in the Kaleidoscope series features Marina Abramovi\u0107, Mohammed Qasim Ashfaq, Helen Chadwick, Dorothy Cross, Richard Long, Agnes Martin, Otobong Nkanga, Yoko Ono and Hannah Rickards.<\/p>\n

Modern Art Oxford<\/a>
\n30 Pembroke St
\nOxford
\nOX1 1BP<\/p>\n

\n
David Hockney: I draw, I do<\/h5>\n

19 August – 16 October 2016<\/p>\n

\"hockney<\/a><\/p>\n

I draw, I do is the first significant presentation of Hockney\u2019s work in Ireland. The exhibition focuses on the artist\u2019s formative years at Bradford Regional College of Art in the 1950s and how the training and experimentation pursued there stayed with him and was further drawn on throughout his career. Works on display include rarely seen anatomical and observational drawings, early graphite portraits as well as the print series Rakes Progress (1961-63): a semi-autobiographical story about Hockney, the \u2018rake\u2019, and the down and outs he met in New York in the early 1960s. The format, story and numbering system in this series is based on William Hogarth\u2019s 1735 suite of prints of the same title. In addition to these early pieces, also on display are significant later works which demonstrate Hockney\u2019s continued interest in pushing the boundaries of drawing practice using new technologies.<\/p>\n

The MAC <\/a>(Metropolitan Arts Centre)
\n10 Exchange Street West
\nBelfast
\nBT1 2NJ<\/p>\n

\n
An Amateur’s Passion: Lord Fitzwilliam’s Print Collection<\/h5>\n

August 9, 2016 – January 29, 2017<\/p>\n

\"Founders<\/a><\/p>\n

The Fitzwilliam Museum\u2019s founder, Lord Fitzwilliam, was an enthusiastic collector of prints. In his lifetime he amassed around 40,000 loose impressions and devoted significant time and energy arranging them into albums of varying sizes to keep on the shelves of his library. His collection reflects his broad taste, ranging from etchings by Rembrandt to works by other highly skilled but less fashionable printmakers. This exhibition looks at what interested Fitzwilliam most in acquiring and ordering his print collection and will feature examples of his albums, rarely seen in public but offering a fascinating insight into the mind of a late 18th century collector.<\/p>\n

Fitzwilliam Museum<\/a> (Charrington Print Room)
\nTrumpington Street
\nCambridge
\nCB2 1RB<\/p>\n

\n
Winifred Knights (1899-1947)<\/h5>\n

8 June – 18 September 2016<\/p>\n

\"Winifred<\/a>
Winifred Knights<\/figcaption><\/figure>\n

The first major retrospective of the artist\u2019s work reunites all of her completed paintings for the first time since their creation.<\/p>\n

Dulwich Picture Gallery<\/a>
\nGallery Road
\nLondon
\nSE21 7AD<\/p>\n

\n
Beatrix Potter- Watercolours And Photographs From The Collection<\/h5>\n

August 7 – October 30 2016<\/p>\n

\"Beatrix<\/a>
Beatrix Potter<\/figcaption><\/figure>\n

To celebrate the 150th anniversary of Beatrix Potter’s birth Perth Museum & Art Gallery will be offering a rare chance to see to see some of her lesser known watercolours and photographs. Although best known for her children’s books, such as The Tale of Peter Rabbit, Beatrix Potter was also a keen naturalist and conservationist. Her love of flora and fauna led her to becoming a noted mycologist, a specialist in fungi. Perth Museum is fortunate to have a number of her studies which will be displayed together with some of the photographs she took whilst holidaying in Perthshire. These include a photo of the pet rabbit she called Benjamin Bouncer later to be the inspiration for Benjamin Bunny.<\/p>\n

Perth Museum & Art Gallery <\/a>
\nGeorge Street
\nPerth
\nPH1 5LB<\/p>\n

\n
Visscher Redrawn: 1616-2016<\/h5>\n

20 February – 20 November 2016<\/p>\n

\"visscher-large\"<\/a>
visscher-large<\/figcaption><\/figure>\n

Claes Janszoon Visscher’s 1616 engraving is one of the most iconic images of medieval London: a low-rise cityscape dominated by the spires and steeples of its churches. Four hundred years on, artist Robin Reynolds has recreated the 6.6ft panorama to depict the brilliant architecture of today’s metropolis. Published in the year of Shakespeare’s death, Visscher’s engraving is one of the few visual records of London before much of it was destroyed in the Great Fire of 1666. To commemorate the landmark anniversaries of 350 years since the Fire and 400 years since Shakespeare’s death, the two artworks will be displayed side-by-side.<\/p>\n

Guildhall Art Gallery<\/a>
\nGuildhall Yard, off Gresham Street
\nLondon
\nEC2V 5AE<\/p>\n

\n
Our Exhibition Calendar<\/h5>\n

Please let us know about your exhibition.<\/a> We may be able to include it in future Current Events.<\/p>\n

See more exhibitions on our Exhibitions Calendar.<\/a><\/p>\n

all images are copyright of the artist<\/em><\/p>\n

\n
The image at the top is:<\/h5>\n

‘Mostly Irises’
\nWatercolour on paper 75x55cm
\nby Jenny Matthews<\/a> who is showing at Union Gallery in Edinburgh.<\/p>\n","protected":false},"excerpt":{"rendered":"

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