Michael Harding : Oil Colour : 40ml Raw Sienna
Price:
$12.20
$9.76
- High pigment load
- Creamy, buttery, easy to handle consistency
- Made by hand, using techniques which date back to the days of the Old Masters
Info
Michael Harding paints are made by hand, using techniques which date back to the days of the Old Masters. Harding will not claim that his paints will turn you into a great painter, but he does promise they will have a profound effect on your work. Your colors will be stronger and richer, and you will find the texture of the paint incomparable. You will love working with them.
This is a 40ml tube of Michael Harding Oil Paint in Raw Sienna.
Spec
| Product Code | OMH40120 |
|---|---|
| To Use With | Oil |
| Quality | Highest |
| Size | 40 ml |
| Vegan | Vegan |
| Country of Manufacture | United Kingdom |
| Barcode | 5060154040678 |
| Colour Name | Raw Sienna |
| Binder | Linseed |
| Pigment Index | PBr7 |
| Transparency | Semi Transparent |
| Colour Lightfast | Excellent |
| Weight (kg) | 0.061000 |
Reviews 6
Review
Decent quality paint for the price.
Review
I'm a big fan of Michael Harding oil paints. Lovely creamy texture, lovely feel, and beautiful luminescence. Raw Sienna is a must have oil paint, and this is as good as you can get. Series 1 to boot.
Review
I love the Michael Harding range always perfect texture
Review
Excellent paints. I have recently tried out a few of Michael Harding's oil paints. I particularly liked his version of Raw Sienna as it is much more of an earthy brown than other manufacturers' versions of this colour that I have previously used. I noticed the pigment in the Michael Harding Raw Sienna is PB7 rather than the pigments PY42 and PY43 found in some other brands.
Review
It is difficult to conceive any paints which are better than those made by Michael Harding.
Review
So far, all of my reviews of Michael Harding's oil colours have been very good; but I'm really not sure what to make of this one. It may just be that this Raw Sienna is wrong for my palette, as it contains far too much green for my liking. As soon as I add it to another colour, say a semi-transparent yellow, the mixture will acquire a greenish aspect. This can be useful for producing muted landscape greens, but not for mimicking ochre or creating earthy browns. I might try the Winsor and Newton colour as an alternative, or Michael Harding's Transparent Oxide Yellow. However, the paint itself, like all Michael Harding colours, is beautifully transparent and full of pigment.
