Simon Kirk on Shipping Oversize Artwork

Last updated: July 20, 2015
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This article was very generously contributed by artist Simon Kirk from his own blog here. Shipping oversize artwork is a daunting task that many artists face, and can be terrifying first time around! Simon shares his experiences and advice (don’t be surprised if, like me, you find yourself printing this one out to put on your studio wall!)

‘Santo Coba’ was completed recently, and sold quickly to a buyer overseas. It is from a new larger series of work I have started. The dimensions are 60 x 40 inches, it is on half inch board with a sturdy 2 x 1 inch frame on the back. It weighs close to 20kg.

My immediate problem was to find a courier. Most general couriers only take packages up to 1.5 metres – mine was 1.6 metres. Other couriers I found would only transport packages of this size and weight from business to business. I eventually found ParcelHero – www.parcelhero.com The process was standard and straightforward, so far so good! (The artwork was collected on time and delivered safely and within the promised timescale. I’ll be using ParcelHero again.)

The other problem was safely transporting the work. I decided the only feasible option was to make a custom box. I am sure this was also the most cost effective way too, both in terms of packaging but also insurance. Major couriers do not officially accept artwork for shipping, due to mechanical handling and sorting, ‘multiple trans-shipment points’ on and off of vehicles etc etc. Anecdotal evidence from artists across the internet suggests to me that making a claim would be extremely difficult, so durable solid packing is to avoid any unnecessary damage. This blog post also serves as some proof the artwork has been packed properly and securely.

This PDF on damages and claims is extremely useful: CLAIMS FOR DAMAGED WORK: Artist Checklist

This is also a very handy guide: Exporting Your Products – First Learn The Terminology
(These are intended to reduce or remove altogether uncertainties arising from different interpretation of the rules in different countries. As such they are regularly incorporated into sales contract worldwide.)

Remember to clarify who is paying “CIF” before shipping (Cost, Insurance and Freight to Named Port of Destination).
Usually the seller will pay cost, insurance and freight to named port of destination and the buyer pays the import duty to release the parcel into the country (this is a percentage of the afore mentioned CIF expenses).

Check the duty charges here:
www.dutycalculator.com

One sheet of hardboard, some more 2 x 1inch wood - total cost of materials less than £20 . This is the back, it has been glued and pinned. The front will just be pinned. (Image courtesy of Simon Kirk)
One sheet of hardboard, some more 2 x 1inch wood – total cost of materials less than £20 . This is the back, it has been glued and pinned. The front will just be pinned. (Image courtesy of Simon Kirk)
The inside - the painting will fit in here, with room around the sides for packaging (Image courtesy of Simon Kirk)
The inside – the painting will fit in here, with room around the sides for packaging (Image courtesy of Simon Kirk)
The corners of the box have been screwed in place for strength. (Image courtesy of Simon Kirk)
The corners of the box have been screwed in place for strength. (Image courtesy of Simon Kirk)
The painting in its wooden 'crate'
The painting in its wooden ‘crate’ (Image courtesy of Simon Kirk)
The surface of the painting was layered with sheets of tissue paper, then shrink wrapped to help protect the corners. One layer of bubble wrap should suffice, with extra padding in the corners. (Image courtesy of Simon Kirk)
The surface of the painting was layered with sheets of tissue paper, then shrink wrapped to help protect the corners. One layer of bubble wrap should suffice, with extra padding in the corners. (Image courtesy of Simon Kirk)
The box was made a half inch bigger all round the painting, to allow loosefill foam chips to be added to keep the work away from the sides of the box and to keep it secure in transport (Image courtesy of Simon Kirk)
The box was made a half inch bigger all round the painting, to allow loosefill foam chips to be added to keep the work away from the sides of the box and to keep it secure in transport (Image courtesy of Simon Kirk)
The top sheet of hardboard is nailed in place, and secured with heavy duty tape. It is artwork, so I have labelled it fragile, even though it's a hefty solid package! (Image courtesy of Simon Kirk)
The top sheet of hardboard is nailed in place, and secured with heavy duty tape. It is artwork, so I have labelled it fragile, even though it’s a hefty solid package! (Image courtesy of Simon Kirk)
Have you ever had to ship large artwork and encountered problems? Do you have any other nuggets of wisdom to impart to blog readers? We’d love to hear from you!

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Lisa Takahashi has been a contributor to the blog since 2013 and a Jackson’s team member since 2006. Her love of art materials spans oils, watercolours, acrylics and relief print techniques. Alongside her writing she regularly exhibits her artwork, and teaches linocut and painting in Bristol and Somerset.

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