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Studio and General
A Guide To
Film: A Guide to Masking Fluid
20th Nov 2023
Lisa Takahashi
Drawing
Preparatory Drawing Methods for Painting
13th Nov 2023
Louise Reynolds
Brushes
Artist Review: Da Vinci Professional Brush Soap
31st Oct 2023
Clare McNamara
Studio and General
Jackson’s Easels for in the Studio and on Location
30th Oct 2023
Christine Kent
Features & Editorials
Artist Review: Etchr Slate Mini
31st Aug 2023
Clare McNamara
Studio and General
What is the Difference Between Artist and Designer Gouache?
10th Aug 2023
Evie Hatch
Studio and General
Daylight Studio Lighting: Lumi Task Lamp Review
25th Jul 2023
Clare McNamara
Pigments
What Unbleached Titanium Can Add to Your Palette
11th Jul 2023
Evie Hatch
A Guide To
Film: A Guide to Studio Safety
15th May 2023
Lisa Takahashi
Features & Editorials
In Conversation with Simon Frisby from Etchr
28th Mar 2023
Clare McNamara
Art History
The Unexpected History of Payne’s Grey
6th Mar 2023
Evie Hatch
Art History
The History of Potter’s Pink (and why it’s a watercolourist’s secret weapon)
29th Jan 2023
Evie Hatch
Artist Resources
How to Create the Best Digital Photographs of Your Artwork
23rd Jan 2023
Josephine Zentner
Studio and General
Two Artists Review Jackson’s Adjustable Artist Apron
3rd Jan 2023
Clare McNamara
Features & Editorials
Recreating the Colour Palette of Georgia O’Keeffe
30th Oct 2022
Evie Hatch
Studio and General
Peg and Awl Sendak Artist Roll Review
12th Oct 2022
Sarah Dyer
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