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JPP 2022
Main Menu
Techniques
Oil Painting
Watercolour Painting
Acrylic Painting
Pastel Painting
Drawing
Printmaking
Studio & General
Stories
Artist Interviews
Features & Editorials
Pigment Stories
Art History
Inside The Sketchbook
Artist Insights
Films
Artist Insights
In Conversation
On Location
A Guide To
Resources
Artist Resources
Expert Advice
How To
Glossary of Art Terms
FAQs
Community
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Shop Materials
Online Gallery
Submit Your Idea
2022
Features & Editorials
Jackson’s Curated Sets for Botanical Watercolour, Lino Printmaking and Oil Painting
18th Nov 2022
Clare McNamara
Films
In Conversation with Michael Harding About His Professional Watercolours
14th Nov 2022
Clare McNamara
Artist Interviews
Zuzanna Pieczyńska’s Paintings of Loss
10th Nov 2022
Clare McNamara
Pastels
Unison Colour Soft Pastels: Set of 8 Half Sticks
7th Nov 2022
Sarah Dyer
Artist Interviews
Julie Karpodini: Painting Instinct
3rd Nov 2022
Clare McNamara
Films
In Conversation With Anne-Sylvie Godeau of Lutea
31st Oct 2022
Lisa Takahashi
Features & Editorials
Recreating the Colour Palette of Georgia O’Keeffe
30th Oct 2022
Evie Hatch
Artist Interviews
Aidan Crotty: Still Life Painting
30th Oct 2022
Clare McNamara
Drawing
Inside the Sketchbook of Kayoon Anderson
20th Oct 2022
Clare McNamara
Artist Interviews
Haeeun Lee: Abstract Compositions
19th Oct 2022
Clare McNamara
Watercolour Painting
Michael Harding Watercolours Review
14th Oct 2022
Evie Hatch
Studio and General
Peg and Awl Sendak Artist Roll Review
12th Oct 2022
Sarah Dyer
Artist Interviews
Robbie Bushe’s Imagined Landscapes
12th Oct 2022
Clare McNamara
Art History
The History of Prussian Blue (and why you won’t find it in most acrylic ranges)
7th Oct 2022
Evie Hatch
Artist Interviews
Angelo Murphy’s Still Life Paintings
4th Oct 2022
Lisa Takahashi
Films
On Location At Lutea
4th Oct 2022
Lisa Takahashi
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