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Stories
Drawing
Inside the Sketchbook of Gemma Thompson
14th Dec 2023
Clare McNamara
Artist Interviews
Meet Matthew Burrows MBE, Guest Judge for Jackson’s Art Prize 2024
7th Dec 2023
Josephine Zentner
Art History
Recreating the Colour Palette of John Constable
6th Dec 2023
Ann Witheridge
Oil Painting
The Making of ‘The Peasants’, a Painted Film
4th Dec 2023
Clare McNamara
Artist Resources
How to Join and Get the Most Out of Jackson’s New Affiliate Program
3rd Dec 2023
Christine Kent
Artist Interviews
Kylie Sandford: Looking Closely at Nature
29th Nov 2023
Josephine Zentner
Acrylic Painting
Meet Melissa Ling, Winner of Jackson’s Art Prize 2023
28th Nov 2023
Josephine Zentner
Artist Interviews
Anna Kurkova: The Physical Process of Painting
24th Nov 2023
Josephine Zentner
Artist Interviews
Chris Longridge: Deconstructed Portraits
22nd Nov 2023
Josephine Zentner
Features & Editorials
Recreating the Colour Palette of Johannes Vermeer
20th Nov 2023
Evie Hatch
Features & Editorials
Inside the Sketchbook of Lisa Takahashi
16th Nov 2023
Clare McNamara
Artist Interviews
David Stewart: An Evolving Relationship with Painting
15th Nov 2023
Josephine Zentner
Stories
How Early Do We Develop Visual Preferences in Art?
13th Nov 2023
Clare McNamara
Features & Editorials
The Story of Manganese Violet
10th Nov 2023
Evie Hatch
Artist Interviews
Petra Schott: Intuitive Colour
8th Nov 2023
Josephine Zentner
Features & Editorials
Recreating the Colour Palette of Paula Rego
6th Nov 2023
Louise Reynolds
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