Prints of paintings and drawings are a popular method of sharing and seeing art, and more and more artists are making reproduction prints as part of their practice.
When preparing to make prints of artwork, it helps to consider the factors and costs that go into the process. There are inexpensive solutions available which can be achieved at home, although an artists’ needs will vary depending on where the prints will be seen, whether they might be part of an exhibition of work or a portfolio, or given to friends and family. We’ve explored the main factors worth considering when making reproduction prints of paintings and illustrations.
Why Print on Digital Paper Rather than Regular Paper?
Digital papers are coated to ensure inkjet receptivity, like size on an artist’s canvas. This coating varies from manufacturer to manufacturer and is designed to prevent the ink from wicking or percolating along the paper fibres, which would lead to colour distortions and blurring.
Some papers have an overcoating, which is how it gets a glossy or pearl finish. For example, when making pearl papers, manufactures use a porous ‘micropore’ plastic coating that holds pigment inks on the surface, or in the pores themselves. This allows colours to appear as luminous as the original painting. This is not possible when printing on regular paper, as it does not have the same coating and the ink tends to sink into the paper, making the colours appear dull and faded.
Printing on uncoated paper will cause the colour to sink into the paper, making the print appear dull and faded.
Digital paper is typically coated on one side, unless the packaging states otherwise. To double-check you are printing on the coated side of the paper, lightly touch one corner of it with a wet finger. The right side for printing will feel a little sticky.
Image Quality
A high-quality image is necessary for a good print. To be able to make a high-quality print, the camera or scanner used to capture or scan the artwork must be able to do so at a high level of resolution. To compare, most digital photos are recorded at a resolution of 72 DPI (‘dots per inch’), and the image file of an art print should be closer to 300 DPI. This is because the more dots of colour that can be printed in a small area, the more detailed your final image will appear.
You can photograph your work at home, with a camera or even your phone. Outsourcing to a professional photography studio will guarantee your artwork is captured accurately and at the best possible resolution. You can also have artwork professionally scanned on a drum scanner.
For printing at home, there are resources online which can help identify inkjet printers that operate on pigment ink-based systems. ICC profiles provided by paper manufacturers can also help you to accurately match up and reproduce colour quality, ensuring the final print quality is of a good standard. ICC (International Color Consortium) profiles are sets of data that describe the properties of a colour space and the range of colours (gamut) that a monitor can display, or a printer can print.
Photographing Your Artwork
Find a neutral coloured wall and hang the artwork at a height where the middle of the piece will be parallel to where the camera will be – either on a tripod or resting on a table or other sturdy surface.
If you are working indoors, ensure the room has plenty of windows and natural light. Uneven light across your artwork can be balanced out by holding up a white surface, so the light bounces off this and illuminates the areas of your artwork furthest away from the window.
Indirect sunlight provides good lighting so some artists also photograph their work outdoors when it’s cloudy or overcast. If you would rather work indoors, you will need to set up a lighting kit. If you don’t have access to a professional lighting kit, you can evenly diffuse the light with a white sheet or white plastic between the lights and your work.
Example photography set-up for artworks.
Ensure the camera is set so the lens lines up with the middle of the painting, positioned so that the frame is filled with most of the painting, with some of the background visible as a border. You can crop this out later, but it gives you some leeway when taking the photo. Typical studio settings for a DSLR require a low ISO, usually around 100, and an f-stop of between f-8 and f-11.
You can use a remote or timer when taking the photograph, so the shutter button doesn’t jolt the image out of focus. Afterwards, you can use photo editing software to colour match and correct any inconsistencies caused by the camera, ensuring what you see on the screen looks as close to the painting as possible.
Types of Paper
There is a range of specialist fine art digital papers which can be used when printing works in different mediums.
Popular surfaces from Hahnemühle, Legion, St Cuthberts Mill, and Strathmore.
It can be more difficult to create prints from watercolours than from other kinds of paintings because of their transparency and granulation. Artists looking to print watercolour paintings can choose from a selection of mould-made papers with textured surfaces, which help to authentically replicate the character and feel of traditional watercolour paintings. They are typically available in bright white and natural white colours to complement different types of work.
Hahnemühle Turner, 310gsm Mould-Made 100% Cotton.
Paper makers like St Cuthberts Mill also offer digital papers with similar surfaces to their traditional papers, such as their Bockingford and Somerset range, allowing watercolourists and printmakers to match their prints to original works.
St Cutherberts Mill Somerset Enhanced, 225gsm Mould-Made 100% Cotton.
Oil and acrylic painters can also choose from different textured canvas surfaces and weights, as well as Gloss, Matt, and Satin finishes, depending on your requirements.
Hahnemühle Baryta Satin, 300gsm 100% a-Cellulose.
These papers are also excellent for reproducing prints and etches, however, some manufacturers also produce specialist printmaking and etching papers, like Bockingford and Hahnemühle German Etching – a traditional mould-made copperplate printing paper.
Hahnemühle, Legion, and other paper makers also provide downloadable ICC profiles for your printer. To reproduce accurate colour quality, certain settings should be calibrated before printing. To achieve accurate colour quality over longer periods, artists can use profiles. For individual one-off prints, profiles aren’t always necessary. For more detail on profiling, see the handling instructions on Hahnemühle’s ICC download page.
Legion MOAB Lasal, 300gsm Semi-Gloss.
Double-sided papers are also popular and versatile. Creating your own book is another way of using digital papers to present your work, such as by creating a catalogue to accompany an exhibition, or share with friends and family. Read our article The Simplicity of Self Publishing for advice on creating books.
Read The Simplicity of Self Publishing for advice on creating books.
Protecting Prints
If you are making prints at home to sell at art fairs, open studios, or online, you will want to package them for safe transport. If they are A2 or smaller, Jackson’s Polypropylene Bags are perfect – simply add a stiffener like a piece of mountboard (Daler Graduate is ready cut and economical).
Our Framing Department offers a range of solutions for framing prints, including ready-made and bespoke made to order frames in a variety of sizes and styles.
Shop Digital Printing at Jackson’s
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16 Comments
Really useful article. I don’t have, and
don’t particularly want to invest in, the
photographic equipment to take high
quality photos of art. Do you have any tips
on finding a photographer who specializes
in such services?
Hi David, glad you found it useful. It really depends on what is available nearby – photographers / photography studios will list the services they offer on their website, often including photographing fine art. If not you could always call them up and ask if they can help. Some may be offering collection services at the moment. Let me know if you have any more questions. Dan
Hi, This really is a super information-rich
feature you have put together!
Thank you!
Thank you for this article. I am scanning
and printing my smaller artworks so that I
can sell limited edition artworks.
I find that I get a wonderful income to be
able to keep making art and I still have
the original to sell without having to
discount, it can wait for the right buyer.
My canvas’ are more difficult. I work on
very large canvass so I will be waiting for
an article on how to recreate larger
pieces.
Thank you
Hi Lorraine, pleased to hear your prints are doing well. Most of the points mentioned above still apply when making prints of large works on canvas – you will just need to scale up your photography set up to accommodate for the larger work. If it is too tricky to setup at home or in the studio, you can always contact local photographers / photography studios, who will be able to help photograph larger works. If you are looking to make prints that are larger than your current set up allows, outsourcing to a specialist printer is also a good idea. Let me know if you have any more questions. Dan
My problem with printing on fine art papers is that some won’t
accept signatures, titles, edition numbers in pencil. Trying them all
out is an expensive business. It would be useful to have
information on this.
Hi Valerie – I tested those mentioned in the article and pencil was fine on the inkjet coatings, only some difficulty on those with very glossy surfaces, like Hahnemuhle Pearl and MOAB Gloss (we sell a sample box of these should that be helpful). If you have any more questions you can email me here. Dan
I’v read that U.S.professional artists are oil
painting on INK JET printing paper, is is this
O.K. thanks .
Hi Marian, you can work on inkjet paper or on top of inkjet prints, this can be an interesting way of making mixed media work. The issue is that the archival qualities aren’t guaranteed – you will need to test and experiment with the paper first, as it’s not the same as working on uncoated art papers. It might react with the medium, depending on the inkjet coating. If you’re not sure, you can contact the manufacturer. Dan
I am trying to find somewhere to do
giclee prints of my oil paintings on
canvas. Could you help in any way ?
Hi Stephen, you have a couple of options – you look what is available nearby to you (local printers will list the services they offer on their website, often including giclee prints), or find a printer online who produces giclees and send off for them to printed. Let me know if you have any more questions. Dan
Dear all I would love to have a conversation
with you with regards to purchasing the best
printer for home printing illustrative
drawings that I want to print using your fine
paper and appropriate inks (from the
printer). These illustrative drawings will be
from A4 size to half A5 sizes(square). Any
advise would be fantastic. Best wishes
Emma Hutchinson
Hi Emma, you would want to use a pigment-based inkjet printer – they are available online and in shops, and there are also resources which can help identify inkjet printers that operate on pigment ink-based systems if you aren’t sure. Dan
I’ve only just got round to reading this article
but found it extremely useful. I would say
though that professional photographers are
very expensive and most readers would be
well advised to work on their own
photography skills. In the past I paid for my
3D work to be photographed but haven’t
always been happy with the results. I do it
myself now. Even decent modern phones
have great cameras now. Have only used
Bockingford inkjet paper so far and had
excellent results.
I am happy to photograph my larger artworks
and shoot in RAW, edit and save as jpg, but
am struggling to find information about the
optimum canvas size in photoshop that can
be used for printing from A5 up to A1size.
Can anyone advise please?
Hi Kerry, we would recommend asking a local printer or print expert, they could then advise based on the size of the artwork, resolution, and DPI for your image. Thanks for reading!