Skip to content
Menu
Techniques
Oil Painting
Watercolour Painting
Acrylic Painting
Pastel Painting
Drawing
Printmaking
Studio & General
Stories
Artist Interviews
Features & Editorials
Pigment Stories
Art History
Inside The Sketchbook
Artist Insights
Films
Artist Insights
In Conversation
On Location
A Guide To
Resources
Artist Resources
Expert Advice
How To
Glossary of Art Terms
FAQs
Community
Art Prize
Shop Materials
Online Gallery
Submit Your Idea
Techniques
Oil Painting
Watercolour Painting
Acrylic Painting
Pastel Painting
Drawing
Printmaking
Studio & General
Stories
Artist Interviews
Features & Editorials
Pigment Stories
Art History
Inside The Sketchbook
Artist Insights
Films
Artist Insights
In Conversation
On Location
A Guide To
Resources
Artist Resources
Expert Advice
How To
Glossary of Art Terms
FAQs
Community
Art Prize
Shop Materials
Online Gallery
Submit Your Idea
Artist Interview
JPP Interview
Oil Painting
Jackson’s Painting Prize
JPP 2022
Main Menu
Techniques
Oil Painting
Watercolour Painting
Acrylic Painting
Pastel Painting
Drawing
Printmaking
Studio & General
Stories
Artist Interviews
Features & Editorials
Pigment Stories
Art History
Inside The Sketchbook
Artist Insights
Films
Artist Insights
In Conversation
On Location
A Guide To
Resources
Artist Resources
Expert Advice
How To
Glossary of Art Terms
FAQs
Community
Art Prize
Shop Materials
Online Gallery
Submit Your Idea
2023
Studio and General
Jackson’s Easels for in the Studio and on Location
30th Oct 2023
Christine Kent
Artist Interviews
Rosie Phillips: Connecting Through Portraiture
25th Oct 2023
Josephine Zentner
Brushes
Six Months Painting With the Escoda Último Evolution Brush
24th Oct 2023
Morgaine Davidson
Features & Editorials
Recreating the Colour Palette of Francisco de Goya
23rd Oct 2023
Emily Harman
Acrylic Painting
Inside the Sketchbook of Stefanie Trow
19th Oct 2023
Clare McNamara
Acrylic Painting
David Kinsey: Luminous Acrylics
17th Oct 2023
Josephine Zentner
Artist Interviews
Interview with Gary Thompson, Director of Jackson’s Art Supplies
17th Oct 2023
Clare McNamara
Artist Interviews
Iain Andrews: Disrupting Form
11th Oct 2023
Josephine Zentner
Features & Editorials
Recreating Philip Guston’s Grimy Pink Palette
9th Oct 2023
Louise Reynolds
Artist Interviews
Catherine MacDiarmid: Experimental Portraits in Oil and Watercolour
4th Oct 2023
Josephine Zentner
Features & Editorials
Recreating Van Gogh’s Colour Palette with Modern Pigments
2nd Oct 2023
Evie Hatch
Features & Editorials
Inside the Sketchbook of Louise Balaam
29th Sep 2023
Clare McNamara
Brushes
Artist Review: Roman Szmal Synthetic Squirrel Quill Brushes
29th Sep 2023
Clare McNamara
Acrylic Painting
Acrylic Painting, Microplastics, and the Environment
28th Sep 2023
Julie Caves
Artist Interviews
Lucy Gable: Defiant Portraiture
27th Sep 2023
Josephine Zentner
Watercolour Painting
Roman Szmal Aquarius Watercolours: New Colours
26th Sep 2023
Morgaine Davidson
« Previous
Page
1
Page
2
Page
3
Page
4
Page
5
Next »
Scroll to Top