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Features & Editorials
Features & Editorials
Recreating the Colour Palette of Paula Rego
6th Nov 2023
Louise Reynolds
Features & Editorials
Recreating the Colour Palette of Francisco de Goya
23rd Oct 2023
Emily Harman
Artist Interviews
Interview with Gary Thompson, Director of Jackson’s Art Supplies
17th Oct 2023
Clare McNamara
Features & Editorials
Recreating Philip Guston’s Grimy Pink Palette
9th Oct 2023
Louise Reynolds
Features & Editorials
Recreating Van Gogh’s Colour Palette with Modern Pigments
2nd Oct 2023
Evie Hatch
Features & Editorials
Inside the Sketchbook of Louise Balaam
29th Sep 2023
Clare McNamara
Features & Editorials
Jackson’s Painting Prize 2023 Exhibition at Bankside Gallery
22nd Sep 2023
Josephine Zentner
Features & Editorials
Holbein Artists’ Gouache Irodori Autumn Palette Review
21st Sep 2023
Frances Ives
Features & Editorials
The Difference Between Luminescent, Pearlescent, and Iridescent Paint
15th Sep 2023
Lisa Takahashi
Acrylic Painting
Recreating the Colour Palette of Helen Frankenthaler
7th Sep 2023
Emily Harman
Features & Editorials
Artist Review: Etchr Slate Mini
31st Aug 2023
Clare McNamara
Features & Editorials
Sap Green: From Dye to Mixed Pigment
24th Aug 2023
Evie Hatch
Drawing
Inside the Sketchbook of Maliha Abidi
16th Aug 2023
Clare McNamara
Features & Editorials
Green Earth: The Subtle but Powerful Colour of Early Italian Painting
16th Aug 2023
Evie Hatch
Features & Editorials
In Conversation With David Valliere, President of Speedball
15th Aug 2023
Evie Hatch
Features & Editorials
Sarah Dyer Curates Sets of Jackson’s Handmade Soft Pastels
23rd Jul 2023
Sarah Dyer
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