BEHIND THE BRAND:
LAWRENCE
SERVING PRINTMAKERS FOR OVER 165 YEARS
Founded in 1859 in London, England, Lawrence (formerly T.N. Lawrence & Son Ltd.) has a rich and varied history in the art materials industry, particularly in engraving and printmaking supplies. Known for their carefully curated selection of high quality art supplies, from painting materials to specialised printmaking tools, their extensive printmaking range offers everything artists need for wood engraving, lino printing, etching, lithography, and screen printing.
Founders and Evolution
Lawrence started out as manufacturers of fine-grained boxwood blocks for engravers, an essential product in the pre-digital era of printmaking and illustration. Evolving and adapting to the burgeoning print industry, the company began supplying materials and tools essential for letterpress printing. In 1895 they expanded their range to include wood letters and in 1901, began producing fine art electrotypes. By 1911, they were making printers' wood type and lithographic scrapers. Their first recorded mail order catalogue dates back to 1925.
A Family Legacy
There were several generations of the Lawrence family active in London in the 19th century. George Lawrence, a carpenter, was known for crafting picture frames. He was followed by his son Thomas John Lawrence, a cabinetmaker and hand mirror maker based in Clerkenwell, and then by his grandson, also named Thomas John Lawrence, who founded the wood block making business.
In the following three generations, Thomas Neal Lawrence's son, Stanley Thomas Evans Lawrence joined the family business in 1917, as in turn did his grandson David Lawrence, and then from 1984 his great-grandson, Martin Lawrence.
Stanley was active in the business for almost 69 years, from 1917 until 1986, becoming sole proprietor in 1941. With an exceptional knowledge of handmade papers and wood engraving materials, his expertise was celebrated in the book Tales from Bleeding Heart Yard.
Lawrence has produced boxwood blocks used by notable artists including Eric Gill, Eric Ravilious, and Reynolds Stone. This included the block that Stone used for the masthead of The Times in 1949. Lawrence also supplied many of Naum Gabo's inks for his woodblock prints in the 1950s and 1960s.
Modern Era
The company became T.N. Lawrence & Son Ltd. in 1963. Martin Lawrence, Stanley's grandson and the seventh generation, led the business from 1984 until 2024, and was later joined by his daughter, Amy Lawrence. In 2024, the business was acquired by Jackson’s Art Supplies, ensuring the continuation of its legacy.
The two companies share many similarities and complement each other’s strengths. Lawrence brings an unmatched selection of printmaking and paper supplies to Jackson’s, and Jackson’s - fine art specialists who have been supplying art materials to artists worldwide since 2000 - will introduce exciting new art materials to the Lawrence brand.
THE LAWRENCE RANGE
ORIGINAL LINSEED OIL RELIEF INK
These popular inks for relief printmaking are crafted from quality linseed oils and rich, lightfast pigments. They are carefully formulated to offer both superior colour and an ideal viscosity, providing a smooth structure for your relief prints.
FRENCH 88 ETCHING INKS
This highly pigmented, lightfast etching ink is ideal for intaglio techniques such as etching, drypoint, and mezzotint. Made with the finest linseed oil, it ensures smooth consistency for intricate details and lasting brilliance, adhering to traditional methods for exceptional results.
BALL BEARING BARENS
These stainless steel ball bearing barens are perfect for hand-burnishing linocuts and monoprints, maintaining even pressure for excellent results without a press. They have a sturdy 3D-printed body, a comfortable domed handle, and are ideal for smaller prints up to A4.
HEREFORD PRINTMAKING PADS
Hereford Printmaking Pads feature 145gsm acid-free natural white paper with a smooth surface, ideal for wood engraving, letterpress, and hand-burnished relief prints. Made from part cotton rag and sized with vegan gelatine, this versatile paper also suits intaglio techniques.
Customer Reviews
“Superb print paper, colours look amazing. Awesome print quality, highly recommend.” Customer Review of Lawrence Hereford Printmaking Pads, Leanne, Australia
“I love working with these inks.” Customer Review of Lawrence French 88 Etching Inks, Sandra, Australia
“I used to labour over rolling out ink, and these have improved my process so much! They're also wonderfully easy to clean.” Customer Review of Lawrence Student Rollers, Thren, Switzerland