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Stories
Pigment Stories
Pigment Stories: Lemon Yellow
20th Apr 2021
Evie Hatch
Features & Editorials
Everything You Need to Know About Watercolour Paper
15th Apr 2021
Evie Hatch
Features & Editorials
Colour Mixing: Claire Spencer Explores Limited Palettes
7th Apr 2021
Lisa Takahashi
Pigment Stories
Pigment Stories: Viridian Green
2nd Apr 2021
Evie Hatch
Features & Editorials
Why the Delay? Explaining Out of Stock Items
1st Apr 2021
Lisa Takahashi
Features & Editorials
How artists have responded to working in lockdown
18th Mar 2021
Clare McNamara
Features & Editorials
Seven Women Artists across Seven Continents
8th Mar 2021
Lisa Takahashi
Pigment Stories
Pigment Stories: Earth Pigments and Their Synthetic Alternatives
2nd Mar 2021
Evie Hatch
Features & Editorials
How Sizing Determines the Absorbency of Artist Paper
24th Feb 2021
Lisa Takahashi
Features & Editorials
What Makes Schmincke Mussini Oil Paints Special?
23rd Feb 2021
Evie Hatch
Brushes
Jackson’s Kite Brushes: How Synthetic Kolinsky Fibre Compares with Natural Sable Hair
22nd Feb 2021
Lisa Takahashi
Features & Editorials
How Paper Weight is Measured
18th Feb 2021
Lisa Takahashi
Pigment Stories
Pigment Stories: YInMn Blue, The Newest Blue Pigment
16th Feb 2021
Evie Hatch
Features & Editorials
Art Paper Textures
11th Feb 2021
Evie Hatch
Pigment Stories
Pigment Stories: The Unique Qualities of Phthalo Pigments
9th Feb 2021
Evie Hatch
Features & Editorials
Art Paper Sizes and Formats
4th Feb 2021
Daniel Brady
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