Gamblin : Artist Oil Paint : 37ml : Indian Yellow
Price:
$16.50
- Colors are grouped by eras of pigment history: Classical, Impressionist, and 20th century
- Combines the best qualities of traditionally made oils paints with the latest technical innovations
- Range spans from historically accurate paints to modern, synthetically derived hues
- High pigment load, low oil absorption
Vegan Friendly
Info
When creating their Artists’ Oil Colors, Gamblin were mindful not only of how an artist works, but also of an artist’s working environment. Gamblin Artists’ Oils have the best qualities of traditionally made oils paints, combined with the latest technical innovations, to give the ultimate working properties. The Artists’ Oil range spans from historically accurate paints to modern, synthetically derived hues.
Indian Yellow: This color has been prized for hundreds of years. But only now has the color been made with a completely lightfast pigment.
Pigment: Diarylide yellow HR70 (PY83)
Binder: Alkali refined linseed oil
Lightfastness I, Series 3, TRANSPARENT
Spec
| Product Code | OGBO371350 |
|---|---|
| To Use With | Oil |
| Quality | Excellent |
| Size | 37 ml |
| Vegan | Vegan |
| Country of Manufacture | United States |
| Barcode | 729911113509 |
| Colour Name | Indian Yellow |
| Binder | Linseed Oil |
| Pigment Index | PY83 |
| Transparency | Transparent |
| Colour Lightfast | Excellent |
| Weight (kg) | 0.070000 |
Reviews 3
Review
Lovely rich colour and transparency.
Review
This is hands down one of my favourite Indian Yellow paints in oil. The closest I've seen to it is Michael Harding, so that's saying something. It's more orange than the muted Holbein, and significantly less yellow than W&N. I will compare it to Jackson's Professional Indian Yellow once I have that one, but this is setting the standard for me. It has become an essential hue for landscape paintings, and used with a Kings Blue, makes for some gorgeous turquoise skies or waters.
Review
This is hands down one of my favourite Indian Yellow paints in oil. The closest I've seen to it is Michael Harding, so that's saying something. It's more orange than the muted Holbein, and significantly less yellow than W&N. I will compare it to Jackson's Professional Indian Yellow once I have that one, but this is setting the standard for me. It has become an essential hue for landscape paintings, and used with a Kings Blue, makes for some gorgeous turquoise skies or waters.