Stonehenge

Stonehenge paper is a hardwearing 100% cotton paper for printmaking, painting, collage, and other fine art applications. Stonehenge was created in 1974 as a 100% cotton deckle paper for the printmaking community, made to rival the more expensive European mould-made papers. It was quickly adopted not just by printmakers, but by artists across working in a broad spectrum of media.

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Stonehenge Paper: American Fine Art Paper for Every Artist

Stonehenge Paper, created by Legion Paper in 1974, is a 100% cotton paper initially designed for the printmaking community to rival the more costly European papers of the time.

Developed by Michael Ginsburg, Legion’s co-founder, Stonehenge quickly rose to popularity not only among printmakers but also among artists working in a range of mediums, from drawing to collage. Its smooth yet durable surface allows it to handle everything from delicate colored pencil layers to intense silkscreen applications, maintaining its integrity with remarkable stability.

The versatility of Stonehenge Paper has made it the go-to choice for both students and professionals alike. Artists appreciate its ability to take on multiple layers of media, including colored pencils, pastels, watercolors, and graphite, without build-up or compromise.

Known for its affordability and quality, Stonehenge’s unique texture and strength have solidified its reputation as a reliable, all-purpose fine art paper.

Today, Stonehenge is available in a wide variety of colors, sizes and formats, including pads and blocks, making it accessible to artists working in a range of media.


‘The watercolor sits nicely on the page. It doesn’t seem to bleed, and when you pop washes on top of areas of detail (the way I work) the detail doesn’t move. The paint is mobile in response to the brush but doesn’t clog or bleed, even if several layers of detail are applied.

Big areas of light wash work well, you can move the paint around as it doesn’t instantly stain the page. It blots well, allowing you to lift the color without compromising the paper surface.’

- Lizzie Harper Reviews Stonehenge Aqua on Jackson’s Art Blog.