Stonehenge

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Stonehenge Papier ist ein strapazierfähiges 100 % Baumwollpapier, das für Drucktechniken, Malerei, Collage und andere künstlerische Anwendungen entwickelt wurde. Ursprünglich für Druckgrafiker konzipiert, wurde es schnell von Künstlern übernommen, die in einem breiten Spektrum von Medien arbeiten.
80 Artikel

Stonehenge : Künstlerpapier : Gummierte Aquarellblöcke

Erhältlich in verschiedenen Größen von 5 × 7 Zoll bis 18 × 24 Zoll

Ab 15,23 €

Stonehenge : Aqua Aquarellpapier

In verschiedenen Grammaturen, Oberflächen und Farben erhältlich

Ab 6,95 €

Stonehenge : Aqua Aquarellpapierblöcke

In verschiedenen Größen erhältlich – von 7 x 7in bis 18 x 24in

Ab 2,76 €

Stonehenge : Aqua Black Aquarellpapier-Blöcke

Erhältlich in Blockformaten von 5 x 7in bis 10 x 14in

Ab 2,76 €

Stonehenge : Ölpapier

Erhältlich als Einzelbogen, Block oder Rolle

Ab 3,36 €



Stonehenge Paper: American Fine Art Paper for Every Artist

Stonehenge Paper, created by Legion Paper in 1972, is a 100% cotton paper initially designed for the printmaking community to rival the more costly European papers of the time.

Developed by Michael Ginsburg, Legion’s co-founder, Stonehenge quickly rose to popularity not only among printmakers but also among artists working in a range of mediums, from drawing to collage. Its smooth yet durable surface allows it to handle everything from delicate coloured pencil layers to intense silkscreen applications, maintaining its integrity with remarkable stability.

The versatility of Stonehenge Paper has made it the go-to choice for both students and professionals alike. Artists appreciate its ability to take on multiple layers of media, including coloured pencils, pastels, watercolours, and graphite, without build-up or compromise.

Known for its affordability and quality, Stonehenge’s unique texture and strength have solidified its reputation as a reliable, all-purpose fine art paper.

Today, Stonehenge is available in a wide variety of colours, sizes and formats, including pads and blocks, making it accessible to artists working in a range of media.


‘The watercolour sits nicely on the page. It doesn’t seem to bleed, and when you pop washes on top of areas of detail (the way I work) the detail doesn’t move. The paint is mobile in response to the brush but doesn’t clog or bleed, even if several layers of detail are applied.

Big areas of light wash work well, you can move the paint around as it doesn’t instantly stain the page. It blots well, allowing you to lift the colour without compromising the paper surface.’

- Lizzie Harper Reviews Stonehenge Aqua on Jackson’s Art Blog.